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Hip-Hop Quotable Wednesdays – Pulitzer Prize Kendrick Lamar feat Rihanna – “LOYALTY.” C Week

18 Wednesday Apr 2018

Posted by bluelineswork in Hip-Hop Quotable Wednesdays

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1986, 1987, 1988, 2017, 2018, Ab-Soul, Aftermath, Alternative, Anderson .Paak, Atlanta, Barbados, Black, Black Hippy, Black Panther, Black Panther Soundtrack, Bloody Waters, Blue Hurt, Blue Lines, Blue Lines Blog, Brandon Paak Anderson, Breezy Lovejoy, California, Carson, Chapel Hill, Compton, Dacoury Natche, DAMN, Def Jam, Def Jam Recordings, Del Amo, Digi+Phonics, DJ Dahi, drums, electronic, Enfield, England, experimental Hip-Hop, Ferrari, Footprints, Funk, Georgia, Glock, Hail Mary, Harmonimix, Herbert Stevens IV, Hip-Hop, Hip-Hop Music, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Interscope, Jamaica, James Blake, James Litherland, Jazz, jazz fusion, Kendrick Duckworth, Kendrick Lamar Duckworth, Key Yemaya Walker, keyboard, Keypsiia, Keypsiia Walker, Keypsiia Yemaya Walker, Killmonger, Korean, Kung Fu Kenny, London, Los Angeles, Mark Spears, Marvel, Marvel Cinematic Universe, MCU, North Carolina, One-Take Blake, Oxnard, percussion, piano, Pop-Rap, post-dubstep, Pulitzer Prize, R&B, Ralph's, Rapper, Rihanna, Robin Hannibal, Robin Hannibal Mølsted Braun, Robyn Rihanna Fenty, Roc Nation, songwriter, Soul, Soundtrack, Sounwave, Stones Throw, synthesizer, T'Challa, Terrace Jamahl Martin, Terrace Martin, The Lox, Top Dawg, Top Dawg Entertainment, UNC, UNC Chapel Hill, United Kingdom, United States, Universal Music Publishing Group, University of North Carolina at Chapel Hill, Vocals, Zacari

Last years glo-up, Pulitzer Prize winning artist and album (2018).
[DJ Dahi:]
I said I’m geeked and I’m fired up (fired, fire)
All I want tonight is just get high up (high, high, high)
Girl, you look so good, it’s to die for (die for)
Ooh, that p—y good, it’s to die for (on fire)

[Kendrick Lamar & Rihanna:]
It’s a secret society
All we ask is trust
(All we ask is trust)
All we got is us
Loyalty, loyalty, loyalty
Loyalty, loyalty, loyalty

[Kendrick Lamar:]
Kung Fu Kenny now
My resume is real enough for two millenniums
A better way to make a wave, stop defendin’ them
I meditate and moderate all of my wins again
I’m hangin’ on the fence again
I’m always on your mind
I put my lyric and my lifeline on the line
And ain’t no limit when I might shine, might grind
You rollin’ with it at the right time, right now
(Only for the dollar sign)
[https://youtu.be/Dlh-dzB2U4Y] Continue reading →

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Hip-Hop Quotable Wednesdays – Ab-Soul, Anderson .Paak, & James Blake – “Bloody Waters”

28 Wednesday Mar 2018

Posted by bluelineswork in Hip-Hop Quotable Wednesdays

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1986, 1987, 2018, Ab-Soul, Aftermath, Alternative, Anderson .Paak, Atlanta, Black, Black Hippy, Black Panther, Black Panther Soundtrack, Bloody Waters, Blue Hurt, Blue Lines, Blue Lines Blog, Brandon Paak Anderson, Breezy Lovejoy, California, Carson, Chapel Hill, Compton, Del Amo, Digi+Phonics, drums, electronic, Enfield, England, experimental Hip-Hop, Footprints, Funk, Georgia, Glock, Hail Mary, Harmonimix, Herbert Stevens IV, Hip-Hop, Hip-Hop Music, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Interscope, Jamaica, James Blake, James Litherland, Kendrick Duckworth, Kendrick Lamar Duckworth, Key Yemaya Walker, keyboard, Keypsiia, Keypsiia Walker, Keypsiia Yemaya Walker, Killmonger, Korean, London, Los Angeles, Mark Spears, Marvel, Marvel Cinematic Universe, MCU, North Carolina, One-Take Blake, Oxnard, percussion, piano, Pop-Rap, post-dubstep, R&B, Ralph's, Rapper, Robin Hannibal, Robin Hannibal Mølsted Braun, songwriter, Soul, Soundtrack, Sounwave, Stones Throw, synthesizer, T'Challa, The Lox, Top Dawg, Top Dawg Entertainment, UNC, UNC Chapel Hill, United Kingdom, United States, Universal Music Publishing Group, University of North Carolina at Chapel Hill, Vocals, Zacari

[Ab-Soul:]
Meet the man in the mask
Meet the man in the mask
[James Blake:]
All those days and all that stays and
I don’t keep it
I won’t be here for it
All those days and all that stays and
I don’t keep it though
I won’t be here for it

[Anderson .Paak:]
Yes Lord, huh
Hail Mary’s in the sky
Bossed up let’s get buried alive
Head on the throne ’cause that’s where I reside (reside)
Ways of the world that we won’t survive
Something’s in the water
My n—a we lawless (lawless)
Please move with caution
Who set the fair way? (fair way)
Damn right I need all this (all this)
Yeah Jack I need all this, eyy
Continue reading →

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Music Mondays – Little Dragon – “Best Friends”

26 Monday Mar 2018

Posted by bluelineswork in Music Mondays

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2018, Alternative, Atlanta, Because, Best Friends, Blue Hurt, Blue Lines, Blue Lines Blog, California, Chapel Hill, chill out, dance, downtempo, dream pop, electro indie, Erik Bodin, Fredrik Källgren Wallin, Georgia, Gothenburg, Håkan Wirenstrand, Japan, Jazz, JVC Victor, Key Yemaya Walker, Keypsiia, Keypsiia Walker, Keypsiia Yemaya Walker, Little Dragon, Loma Vista, music, Music Mondays, North Carolina, Off The Wall, Peacefrog, percussion, Republic, Sacramento, Soul, Sweden, Synthpop, trip hop, UNC, UNC Chapel Hill, University of North Carolina at Chapel Hill, Vocals, Yukimi Eleanora Nagano, Yukimi Nagano, Yusuke Nagano


Best Friends
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

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New To You Music Sundays – Jamie xx (feat Romy) – “Loud Places” – Blue Lines Coachella Week

09 Sunday Apr 2017

Posted by bluelineswork in New To You Music Sundays

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Alternative, Atlanta, Blue Hurt, Blue Lines, Blue Lines Blog, Blue Lines Coachella Weekend, California, Coachella, Coachella Festival, Coachella Valley, Coachella Valley Music and Arts Festival, Could Heaven Ever Be Like This, deep house, dream pop, Electronic rock, England, Future garage, Georgia, Governors Ball, Idris Muhammad, In Colour, Indie pop, Indio, James Thomas Smith, Jamie Smith, Jamie xx, Key Yemaya Walker, Keypsiia, Keypsiia Walker, Keypsiia Yemaya Walker, London, Loud Places, music, New To You Music Sundays, New To You Sundays, Oliver Sim, post-dubstep, Rick Nowels, Romy Madley Croft, Sacramento, The xx, Tony Sarafino, Wandsworth


Loud
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

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Cover Sundays – Clairity – “Don’t Panic” – Coldplay Cover

03 Sunday Apr 2016

Posted by bluelineswork in Cover Sundays

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2001, 2016, Alternative, alternative rock, Atlanta, Blue Hurt, Blue Lines, Blue Lines Blog, California, Chris Martin, Claire Rachel Wilkinson, Clairity, Coldplay, Cover, Cover Song, Cover Songs, Cover Sundays, Covers, Don't Panic, Guy Berryman, Jonny Buckland, Key Yemaya Walker, keyboards, Keypsiia, Keypsiia Walker, Keypsiia Yemaya Walker, Lava, North Carolina, Parachutes, Republic, Tennessee, UNC, UNC Chapel Hill, University of North Carolina at Chapel Hill, Vocals, White House, Will Champion, X-Men, X-Men: Apocalypse


Don't panic
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

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Cover Sundays – Major Lazer feat MØ – “Lost” Frank Ocean Cover

27 Sunday Mar 2016

Posted by bluelineswork in Cover Sundays

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2012, 2015, adidas, Alternative, Atlanta, Blue Hurt, Blue Lines, Blue Lines Blog, California, Channel ORANGE, Chess Club, Christopher Breaux, Christopher Edwin Breaux, Cover Sundays, Def Jam, Def Jam Recordings, Denmark, electronic, Frank Ocean, Georgia, Indie pop, James Ryan Ho, Karen Marie Aagaard Ørsted Andersen, Key Yemaya Walker, Keypsiia, Keypsiia Walker, Keypsiia Yemaya Walker, Long Beach, Mad Decent, Major Lazer, Malay, MØ, Micah Otano, music, Odd Future Records, Odense, Peace Is the Mission: Extended, Rapper, RCA Victor, Reggae, Sacramento, Singer, Singer-songwriter, Sony, Sony Music, Soul, SoundCloud, Ubberud


  
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

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New To You Music Sundays – Faith No More – “Edge of the World”

22 Sunday Nov 2015

Posted by bluelineswork in New To You Music Sundays

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1989, Alternative, alternative rock, Atlanta, Billy Gould, Blue Hurt, Blue Lines, Blue Lines Blog, California, Edge of the World, Funk, funk metal, Georgia, Jon Hudson, Key Yemaya Walker, Keypsiia, Keypsiia Walker, Keypsiia Yemaya Walker, Matt Wallace, Michael Allan Patton, Michael Andrew Bordin, Mike Bordin, Mike Patton, music, New To You Music Sundays, rap metal, Roddy Bottum, Sacramento, San Francisco, Sausalito, Sharp Young Men, Slash Record, The Real Thing


Edge
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

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Hip-Hop Quotable Wednesdays – A Tribe Called Quest – “Electric Relaxation”

18 Wednesday Nov 2015

Posted by bluelineswork in Hip-Hop Quotable Wednesdays

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1993, 1994, A Tribe Called Quest, Ali Shaheed Muhammad, Alternative, alternative hip hop, Atlanta, Blue Hurt, Blue Lines, Blue Lines Blog, Brooklyn, California, conscious hip hop, East Coast Hip-Hop, Electric Relaxation, Five Foot Assassin, Georgia, Hip-Hop, Hip-Hop Music, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Jarobi White, jazz-rap, Jonathan Davis, Key Yemaya Walker, Malik Isaac Taylor, Malik Taylor, MC Love Child, Midnight Marauders, Mr. Muhammad, music, Native Tongues, New York, Phife Dawg, Phife Diggy, Q-Tip, Queens, Sacramento, St. Albans, The Abstract Poetic, The Five Footer, Underground hip hop

Relax yourself girl, please set-tle down [4X]

[Verse One: Q-Tip, Phife Dawg]

Honey, check it out, you got me mesmerized
With your black hair and fat-a-s thighs
Street poetry is my everyday
But yo, I gotta stop when you trot my way
If I was working at the club you would not pay
Ayo, my man Phife Diggy, he got something to say

I like em brown, yellow, Puerto Rican or Haitian
Name is Phife Dawg from the Zulu Nation
Told you in the jam that We Can Get Down
Now let’s Knock the Boots like the group H-Town
You got BBD all on your bedroom wall
But I’m Above the Rim and this is how I ball
A pretty little something on the New York street
This is how I represent over this here beat
Talking bout you
Continue reading →

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Music Mondays – Phantogram – “Fall in Love (Until The Ribbon Breaks Re-Imagination)

06 Monday Jul 2015

Posted by bluelineswork in Music Mondays

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"Fall In Love" (Until The Ribbon Breaks Re-imagination), Alternative, avant-garde, Big Boi, Blue Hurt, Blue Lines, Blue Lines Blog, California, Charlie Everywhere, dream pop, electronic, Electronica, Elliot Wall, Georgia, Greenwich, Hip-Hop, Indie pop, James Gordon, Josh Carter, Key Yemaya Walker, Keypsiia, Music Mondays, New York, Peter "Pete" Lawrie-Winfield, Phantogram, pop, R&B, rock, Sarah Barthel, Shoegaze, trip hop, United States, Until the Ribbon Breaks


  
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

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New To You Sundays – Foy Vance – “Be The Song”

12 Sunday Jan 2014

Posted by bluelineswork in New To You Music Sundays

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Alternative, Bangor, Be The Song, Blue Lines, Blue Lines Blog, Communion Records, County Down, Foy Vance, guitar, House, Key Yemaya Walker, New To You Sundays, Northern Ireland, Oklahoma, The Melrose EP, Vocals

20140109-214516.jpg
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

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