Hip-Hop Quotable Wednesdays – OutKast feat Jay-Z & Killer Mike – “Flip Flop Rock”

Tags

2003, Adamsville, Andre 3000, Andre Benjamin, Antwan "Big Boi" Patton, Antwan André Patton, Antwan Patton, Aquemini, Atlanta, Big Boi, Blue Hurt, Blue Lines, Blue Lines Blog, Brooklyn, California, College Park, Daddy Fatsacks, David Sheats, Dungeon Family, East Coast, East Coast Hip-Hop, East Point, Flip Flop Rock, Georgia, Hip-Hop, Hip-Hop Music, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Jay-Z, Key Yemaya Walker, Keypsiia, Keypsiia Walker, Keypsiia Yemaya Walker, Killer Mike, Michael Render, Mike Bigga, Mr. DJ, music, New York, New York City, OutKast, Producer, record producer, Roc-A-Fella, Roc-A-Fella Records, Run the Jewels, Sacramento, Shawn Carter, Shawn Corey Carter, southern hip hop, Speakerboxxx, Speakerboxxx/The Love Below, Stankonia, Young Hov

[Big Boi] Yeah.. ATLiens style on y’all ass
[K. Mike] DO OR DIE, AQUEMINI
[K. Mike] Killer Mike, Roc-A-Fella collaboration – holla!
[Y. Hova] Young Hov’ in the place to be
[Y. Hova] Big Boi in the place to be (Young)
[Y. Hova] Andre 3000 (cash) shout out to public housin (b—h)
[Y. Hova] I brought (holla) the whole hood with me
[Big Boi] You got red dirt in your afro
[Y. Hova] Young Hov’ in the place to be (yeah)
[Y. Hova] OutKast in the place to be (yeah)

Hip-Hop Quotable Wednesdays – Run the Jewels feat Big Boi (OutKast) – “Banana Clipper”

Tags

Antwan "Big Boi" Patton, Antwan André Patton, Antwan Patton, Atlanta, Banana Clipper, Big Boi, Blue Hurt, Blue Lines, Blue Lines Blog, Blue Lines Coachella Weekend, Brooklyn, California, Coachella, Coachella Festival, Coachella Valley, Coachella Valley Music and Arts Festival, Definitive Jux, El-P, El-Producto, Fool's Gold, Fool's Gold Records, Georgia, Hip-Hop, Hip-Hop Music, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Jaime Meline, Key Yemaya Walker, Keypsiia, Keypsiia Walker, Keypsiia Yemaya Walker, Killer Mike, Lazerface, Michael Render, Mike Bigga, music, New York, New York City, OutKast, Rap, Run the Jewels, Sacramento, Savannah, Supergroup

[Killer Mike:]
I move with the elegance of an African elephant
I presented the evidence eloquent as the president
Evident is the emphasis, I deserve me a championship
But before I banana clip I’ma chill so my man can rip

[El-P:]
Little man against Hellion with the heart of an orphan
I got the words of a murderer and an eye for distortion
You take a slice of my portion, I’ll take a piece of your profit
I drive at illegal speeds, Keep an O.Z in my pocket

Music Mondays -Max Richter – “On the Nature of Daylight”

Tags

2008, 660 Peachtree Street NE, ambient, Antwan "Big Boi" Patton, Antwan André Patton, Antwan Patton, Atlanta, Atlanta Ballet, B.I.G., ballet, Big Boi, Blue Hurt, Blue Lines, Blue Lines Blog, California, Chapel Hill, Contemporary Classical, England, Fabulous Fox, Fox Theatre, Fox Theatre Inc., Georgia, Hamelin, John McFall, Joi, Joi Gilliam, Key Yemaya Walker, Keypsiia, Keypsiia Walker, Keypsiia Yemaya Walker, Lauri Stallings, London, Lower Saxony, Max Richter, Midtown Atlanta, Minimalist, Movie Palace, music, North Carolina, On The Nature Of Daylight, organ, Organized Noize, OutKast, piano, Pos-minimalist, Sacramento, Savannah, UNC, UNC Chapel Hill, University of North Carolina at Chapel Hill

A beautiful and awe-inspiring piece.
I first heard this mind blowing piece performed as part of the Big Boi (OutKast) and Atlanta Ballet’s production B.I.G. For those who did not see it, it was non-traditional epic.


The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

Hip-Hop Quotable Wednesdays – OutKast – “Elevators (Me And You)” Fitting with their Coachella Announcement

Tags

1996, 3000, actor, alternative hip hop, André "André 3000" Benjamin, André Lauren Benjamin, Andre 3000, Andre 3K, Andre Benjamin, Andre Patton, Antwan "Big Boi" Patton, Antwan André Patton, Antwan Patton, Arista, ATL, Atlanta, ATLiens, bass guitar, Benjamin André, Big Boi, Big Boi and Dre Present... OutKast, Blue Lines, Blue Lines Blog, Blue Lines Coachella Weekend, Blue Lines Coachella Weekend 2014, Blue Suede Shoes, Bosstown Recording Studios, Cadillac, Carl Perkins, Chung King Recording Studio, Coachella, Coachella 2014, Coachella Festival, Coachella Valley, Coachella Valley Music and Arts Festival, dancer, Decatur, Def Jam, Delowe, Dookie Blossom Gain the 3rd, Doppler Recording Studios, Dré, Earthtone Ideas, East Point, Elevators (Me & You), Funk, G-funk, Georgia, guitar, Halle Berry, Headland, Hip-Hop, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Ice Cold, Island/Def Jam, Jazz, Johnny Vulture, Key Yemaya Walker, keyboards, LaFace, LaFace Records, LaFace Records/Arista Records, Lithonia, Marta, Mr. DJ, music, musician, neo soul, Organized Noize, OutKast, OutKast/Earthtone Ideas, PatchWerk Recording Studio, Possum Aloysius Jenkins, Producer, Purple Dragon Studios, R&B, Rally's, Rapper, Rapping, Ray Murray, RCA, record producer, Rico Wade, Savannah, saxophone, Sir Lucious Left Foot, Sleepy Brown, songwriter, Sony Music, Soul, Sound On Sound Recording, southern hip hop, Studio LaCoCo, SWATS, Three Stacks, Tony Toni Tone, U.S., United States, USA, Vocals, Vogues

Atlanta’s Coachella 2014 Headliner

Verse One: Andre

One for the money yes uhh two for the show
A couple of years ago on Headland and Delowe
Was the start of somethin good
Where me and my n—a rodes the MARTA, through the hood
Just tryin ta find that hookup
Now everyday we look up at the ceiling
Watchin ceiling fans go around tryin ta catch that feelin
off instrumental, had my pencil, and plus my paper
We caught the 86 Lithonia headed to Decatur
Writing rhymes tryin ta find our spot off in that light
Light off in that spot, known that we could rock
Doin the hole in the wall clubs, this s–t here must stop
Like freeze, we makin the crowd move but we not makin no G’s
And that’s a no, no

Verse Two: Big Boi

Yeah, uhh, check it
Ahh one two, ahh one two doe, n—as
in the Cadillac they call us went from Player’s Ball to ballers
Puttin the South up on the map was like Little Rock to bangin
N—as say motherf–k that playin, they payin
We stay in layin vo-cals, locals done made it with them big boys
up in dis industry, Outkast yea dem n—az they makin big noise
Over a million sold to this day, n—az they take it lightly
Ninety-six gon be that year that all y’all playa haters can bite me
…around this b—h

Hip Hop Quotable Wednesdays – Outkast – “B.O.B.”

Tags

2000, 3000, actor, alternative hip hop, André "André 3000" Benjamin, André Lauren Benjamin, Andre 3000, Andre 3K, Antwan "Big Boi" Patton, Antwan André Patton, Arista, Atlanta, B.o.B, Baghdad, bass guitar, Benjamin André, Big Boi, Billy Ocean, Blue Lines, Bomb Over Baghdad, Chief, College Park, Daddy Fat Sax, dancer, Dave Meyers, David Sheats, DJ, Dookie Blossom Gain the 3rd, Dré, Dungeon Family, Earthtone III, East Point, Francis the Savannah Chitlin' Pimp, Funk, G-funk, General Patton, Georgia, guitar, Hip-Hop, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Hot Tub Tony, Ice Cold, Johnny Vulture, jungle, Key Yemaya Walker, keyboards, LaFace, LaFace Records, Mr. DJ, multi-instrumentalist, Music executive, musician, neo soul, Organized Noize, OutKast, Possum Aloysius Jenkins, Producer, R&B, Rapper, Rapping, record producer, Savannah, saxophone, Sgt. Slaughter, Singer, Singer-songwriter, Sir Lucious L. Leftfoot, Soul, southern hip hop, Stankonia, Stankonia Recording, The Son of Chico Dusty, Three Stacks, United States, Vocals

Verse 1:
Yeah!
Inslumnational Underground.
Thunder pounds,
when I stomp the ground.(Wooh)
Like a million elephants,
or silver back
Orangutans,
you can’t stop the train.
Who wants some?
Don’t come unprepared.
I’ll be there,
but when I leave there.
Better be a household name.
The weatherman tellin’ us
it ain’t gon’ rain.
So now we sittin in a drop top,
soaking wet.
In a silk suit trying
not to sweat.
Hittin’ somersaults with-
out the net.
But this’ll be the year that we
wont forget.
1-9-9-9!
Anno Domini,
anything goes!
Be what you want to be,
long as you know
consequences
are given for liv-
ing the fence is,
too high to jump in jail.
Too low to dig,
I might just touch hell.
HOT!

Hip Hop Quotable Wednesday: Holiday Edition

Tags

3000, actor, André "André 3000" Benjamin, André Lauren Benjamin, Andre 3000, Andre 3K, Andre Benjamin, Andre Patton, Antwan "Big Boi" Patton, Arista, Atlanta, bass guitar, Benjamin André, Big Boi, Blue Lines, Blue Lines Blog, blues, Bosstown, Christmas, D.A.R.P. Studios, dancer, Def Jam, Dirty South, Dookie Blossom Gain the 3rd, Doppler Studios; Atlanta, Dré, Dungeon Family, East Point, Electronic music, Funk, G-funk, Georgia, guitar, Hip-Hop, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Ice Cold, Jazz, Johnny Vulture, Key Yemaya Walker, keyboards, LaFace, LaFace/Arista, musician, neo soul, Organized Noize, OutKast, Players Ball, Possum Aloysius Jenkins, Producer, Puff Daddy, Purple Dragon, Rapper, Rapping, record producer, rock, Savannah, saxophone, Sean "Puff Daddy" Combs, Sean "Puffy" Combs, Sleepy Brown, songwriter, Sony Music, Soul, southern hip hop, Southernplayalisticadillacmuzik, spoken word poetry, Stankonia, SWATS, The Dungeon, Three Stacks, Two Shades Deep, U.S., United States, USA, Vocals

Players Ball – Outkast (1993 LaFace Christmas album)

http://bit.ly/10wckR

http://lala.com/z6mM

[Intro]
Man.. the scene was so thick
Low riders, Seventy-seven Sevilles, El Dawgs
Nuttin but them ‘llacs
All the players, all the hustlers
I’m talking bout black man heaven heah, yknahmsayin? Yeah..

[Andre]
It’s beginnin to look a lot like what? Follow my every step
Take notes on how I crept, I’s bout ta go in depth
This is the way I creep my season here’s my ghetto rep
I kept, to say the least no no it can’t cease
So I begin to piece my two and two together
Gots no snowy weather, have to find something to do better bet!
I said subtract so shut up that, nonsense about some solid solid..
I gots in crunk if it ain’t
real
ain’t right
I’m like no matter what the season
Forever chill with Smith, I sip my fifth, I chill with Wess’
and got my reasons so tell me what did you expect?
You thought I’d break my neck, to help y’all “Deck, the the..”
Oh naw, I got other means of celebratin
I’m gettin blizzard at HoJo, I got that hoochie waitin
I made it through another year cain’t ask fo’ nothin much mo’
It’s OutKast for the boots I thought you knew so now you know
Let’s go

[Chorus]
All the players came..
from
far and wide
Wearin afros and braids, kickin them gangsta rides
Now I’m here to tell ya.. there’s a better day
When the player’s ball is happenin, all day ery’day

[Big Boi]
Halle-lu-jah, halle-lu-jah
Y’know I do some things mo’ different than I.. used ta
Cause I’m a player, doin what the players do
The package sto’ was closed, okay my day is ruined
This is ridiculous, I’m gettin serious, I’m gettin curious
cause the house is smellin stank the chitlins old as bitches
I made no wishes cause I’m mobbin folk niggaz in the back
Gettin tipsy off the nog’gen,
high
as hell off the contact smoke
They havin a smoke out in my back seat (yeah)
They passin
herb
rewindin verses cause it’s in the air
I hit the parks, I hit the cuts, I’m hittin switches
Cause I’m switchin from side ta side lookin for ho snitches
I’m wide open on the freeway my pager broke my vibe
cause a junkie is a junkie three-sixty-five
It’s just another day of work to me the spirit just ain’t in me
Grab my pistol and my ounce see what them junkies gotta give me
cause it’s like that, heh, yeah
Forever pimpin, never slippin, that’s how it is (check it)

[Chorus]

[Big Boi]
Ain’t no chiminies in the ghetto so I won’t be hangin my socks
on no tip, I’m quick as a tick, fix me a plate
I got the remedy, so brings in that ham [not!]
Don’t need no ham [hocks!] don’t play me like I’m smokin rocks
I got the munchies, we got the Mary Jane in the Dungeon
Just to let you niggaz know in ninety-three that’s how we comin
So ho ho hos, check my king-ass ‘fro
The gin and juice has got me tipsy so umm..

[Andre]
It goes, give me ten, and I’ll serve you then, now we bend
the corner in my Cadillac, my heart does not go pitty-pat for no rat
I’m leaning back my elbows out the window
Coke rhyme and indo fills my body, where’s the party?
We roll deep, we dip to underground, see’s a lot of hoes around
I split my
game
while waitin countdown
A five fo’ a three two here comes the one
A new year has begun, P-Funk spark another one..

[Chorus]

[Peaches]
Here’s a little somethin for the players out there hustlin
Gettin down for theirs
From East Pointe, College Park, Decatur, Devry
You know, niggaz world wide
Down, for theirs..

[Chorus]