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Tag Archives: Art pop

Cover Sundays – Antony and the Johnsons – “Knockin’ on Heaven’s Door” – Bob Dylan Cover

27 Sunday Nov 2016

Posted by bluelineswork in Cover Sundays

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Anohni, Antony, Antony and the Johnsons, Antony Hegarty, Art pop, Atlanta, avant pop, Blue Hurt, Blue Lines, Blue Lines Blog, Bob Dylan, California, Chamber pop, Chapel Hill, Chichester, Columbia, Duluth, England, Folk, Folk rock, Georgia, Gordon Carroll, gospel, I'm Not There, Key Yemaya Walker, Keypsiia, Keypsiia Walker, Keypsiia Yemaya Walker, Knockin' on Heaven's Door, Malibu, Minnesota, Musings, New York, New York City, North Carolina, Pat Garrett & Billy the Kid, piano, Robert Allen Zimmerman, Sacramento, Soundtrack, Sussex, Transgender, UNC, UNC Chapel Hill, United Kingdom, University of North Carolina at Chapel Hill, Vocals


antony
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

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Cover Sundays – Lorde – “Everybody Wants To Rule The World ” – Tears For Fears Cover

03 Sunday May 2015

Posted by bluelineswork in Cover Sundays

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1985, 2013, 2014, Art pop, Assassin's Creed Unity, Auckland, Blue Hurt, Blue Lines, Blue Lines Blog, Chris Hughes, Cover, Cover Songs, Cover Sundays, Covers, dream pop, Electropop, electrorock, Ella Marija Lani Yelich-O'Connor, Everybody Wants To Rule The World, Ian Stanley, Indie pop, Key Yemaya Walker, Lorde, new wave, New Zealand, Roland Orzabal, Singer-songwriter, Songs from the Big Chair, Takapuna, Tears For Fears, The Hunger Games: Catching Fire


lorde
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

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Music Mondays – Fiona Apple – “Every Single Night”

18 Monday Jun 2012

Posted by bluelineswork in Music Mondays

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2012, Alternative, alternative rock, Art pop, baroque pop, Bizzarre, Blue Lines, Blue Lines Blog, Epic, Every Single Night, experimental rock, Fiona Apple, Indie, Jazz, Key Yemaya Walker, L.A. Reid, Manhattan, music, Music Mondays, musician, New York, New York City, Octopus, optigan, piano, Piano rock, Seedy and Feedy, Singer-songwriter, South by Southwest, Squid, SXSW, The Idler Wheel, The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do, United States, Vocals

“…Every single nights a fight, with my brain…”
Bizzarely interesting video. Must be the product of an insomniac.


The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school

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Cover Sundays – Tori Amos “Losing My Religion” (REM Cover)

28 Sunday Nov 2010

Posted by bluelineswork in Cover Sundays

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1991, 1995, alternative rock, Art pop, Athens, baroque pop, Bearsville Studios, Bill Berry, Bill Rieflin, Blue Lines, Blue Lines Blog, Classical, Clavichord, clavinet, college rock, Columbia Pictures, Cover Sundays, Electronica, Fender Rhodes, Georgia, hammond organ, harmonium, harpsichord, Hib-Tone, Higher Learning, I.R.S., jangle pop, John Singleton, Key Yemaya Walker, Kurzweil, Michael Stipe, Mike Mills, musician, Myra Ellen Amos, New West, New York, Newton, North Carolina, Out Of Time, Peter Buck, Peter Holsapple, piano, Piano rock, R.E.M., record producer, REM, Scott McCaughey, songwriter, Sony Pictures Studios, Tori Amos, United States, United States; John Keane Studios, vocalist, Vocals, Warner Bros., Warner Bros. Records, Woodstock, Wurlitzer



The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

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