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Tag Archives: Athens

Music Mondays – Norah Jones – “All A Dream”

21 Monday Jan 2013

Posted by bluelineswork in Music Mondays

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2012, Actress, Adult contemporary, All a Dream, alternative hip hop, alternative rock, ambient, artist, Athens, bass, bass guitar, Beatboxing, Big Beat, Blue Lines, Blue Lines Blog, Blue Note, breakbeat, breakbeat hardcore, Brian Burton, Brian Joseph Burton, Brooklyn, California, Cee Lo, Cee-Lo Green, Country, Danger Mouse, DAW, Denton, drum and bass, drum machine, drums, Electro, Electro Vox Studios, Electronica, Folk, Folk rock, Geethali Norah Jones Shankar, Georgia, Gnarls Barkley, grime, guitar, Hip-Hop, indie rock, Jazz, Key Yemaya Walker, keyboards, Little Broken Hearts, lo-fi, Los Angeles, Mondo Studio, music, Music Mondays, music producer, musician, neo soul, neo-psychedelia, New York, Norah Jones, oldschool jungle, organ, percussion, piano, Piano/keyboards, Rapping, Ravi Shankar, roots rock, sampler, saxophone, Singer-songwriter, Sue Jones, synthesiser, synthesizer, Texas, trip hop, Turntable, U.S., United States, United StatesWhite Plains, USA, vocal jazz, Vocals, White Plains


Norah-Jones-Little-Broken-Hearts
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

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Music I Like – Swedish House Mafia feat John Martin – “Don’t You Worry Child” Live

15 Tuesday Jan 2013

Posted by bluelineswork in Music I Like

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Athens, Avicii, Axel Christofer Hedfors, Axel Hedfors, Axwell, Best Dance Recording, Blue Lines, Blue Lines Blog, Blue Lines Coachella Weekend, Blue Lines Coachella Weekend 2012, Coachella, Coachella 2012, Coachella Valley, Coachella Valley Music and Arts Festival, deep house, digital download, disc jockey, DJ, drum machine, dubstep, electro house, Electronic musician, funky house, Grammy nomination, Greece, House, house disc jockeys, Italian, John Martin, John Martin Lindström, Key Yemaya Walker, Label Owner, Lund, Michel Zitron, Ministry of Sound Australia, music, Music I Like, music producer, Music Sequencer, Personal Computer, Polydor, Polydor Records, Producer, Progressive House, record producer, refune records, remixer, Sebastian Carmine Ingrosso, Sebastian Ingrosso, Singer, Size Matters, Size Records, songwriter, Steve Angello, Steven Angello Josefsson Fragogiannis, Stockholm, Sweden, Swedish House Mafia, synthesizers, Tech house, techno, UMG, Until Now, Vocals

I woke up with this song on repeat in my head, therefore it’s today’s theme song.

SHM
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

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Music Mondays – The Black Crowes – “Remedy”

03 Monday Dec 2012

Posted by bluelineswork in Blue Lines

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1992, Adam MacDougall, Andy Hess, Athens, Audley Freed, Bill Dobrow, Blue Lines, Blue Lines Blog, blues rock, Chris Robinson, Columbia, Def American, Eddie Harsch, George Drakoulias, Georgia, Greg Rzab, hard rock, High School, jam rock, Jeff Cease, Johnny Colt, Key Yemaya Walker, Luther Dickinson, Marc Ford, music, Paul Stacey, Remedy, Rich Robinson, Rob Clores, Silver Arrow, Southern rock, Steve Gorman, Sven Pipien, The Black Crowes, The Chris Robinson Brotherhood, The Southern Harmony and Musical Companion, V2


Blackcrowes
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

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New To You Music Sundays – Cat Power – “Cherokee”

23 Sunday Sep 2012

Posted by bluelineswork in New To You Music Sundays

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2012, Athens, Atlanta, Blue Lines, Blue Lines Blog, Chan Marshall, Cherokee, Greg Hunt, Key Yemaya Walker, Matador, music, New To You Music Sundays, Sun



The manuscript
Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

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Hip-Hop Quotable Wednesdays – Method Man & Redman – “How High”

25 Wednesday May 2011

Posted by bluelineswork in Hip-Hop Quotable Wednesdays

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actor, Athens, Beavis and Butthead, Biggie Smalls, Blackout!, Blue Lines, Blue Lines Blog, Clifford Smith, Def Jam, Def Jam Recordings, Def Squad, Earwax Records, EPMD, Erick Sermon, Fly, Fly Robin, Funk Doctor Spock, Georgia, Hip-Hop, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Hot Nikkels, How High, Iron Lung, John J, Johnny Blaze, Key Yemaya Walker, Meth, Method Man, Method Man & Redman, Methtical, Month Of The Man, Murder Was The Case, music, MZA, New Jersey, New York, New York City, Newark, Rapper, Redman, Reggie Noble, Reginald "Reggie" Noble, Reginald Noble, Shakwon, Shaolin, Staten Island, The Show, Tical, U.S., UB, UGA, United States, University Of Bridgeport, University Of Georgia, Who Shot Ya, Wu-Tang Clan

Whoa, had a flashback as we rode back from Athens last week, and this took the place of the scheduled Hip-Hop Quotable for this week after an all out performance with Ike on 316. We weren’t listening to the “Fly Robin, Fly,” version.

Intro:

Takin it from the top?
Tippy? Tippy?

How High?….
The Ultimate High….

Verse One: Method Man

Scuse me as I kiss the sky
Sing a song of six pence, a pocket full a rye
Who the f–k wanna die for their culture
Stalk the dead body like a vulture
Tical get, HMMM
Blacker than your blackest stallion
Hit your house’n projects
I represent the Shaolin my n—a
Hell yes, Apocalypse now, the gun blow
It be goin down, diggy diggy down diggy down down
Continue reading →

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Cover Sundays – Tori Amos “Losing My Religion” (REM Cover)

28 Sunday Nov 2010

Posted by bluelineswork in Cover Sundays

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1991, 1995, alternative rock, Art pop, Athens, baroque pop, Bearsville Studios, Bill Berry, Bill Rieflin, Blue Lines, Blue Lines Blog, Classical, Clavichord, clavinet, college rock, Columbia Pictures, Cover Sundays, Electronica, Fender Rhodes, Georgia, hammond organ, harmonium, harpsichord, Hib-Tone, Higher Learning, I.R.S., jangle pop, John Singleton, Key Yemaya Walker, Kurzweil, Michael Stipe, Mike Mills, musician, Myra Ellen Amos, New West, New York, Newton, North Carolina, Out Of Time, Peter Buck, Peter Holsapple, piano, Piano rock, R.E.M., record producer, REM, Scott McCaughey, songwriter, Sony Pictures Studios, Tori Amos, United States, United States; John Keane Studios, vocalist, Vocals, Warner Bros., Warner Bros. Records, Woodstock, Wurlitzer



The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

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