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Tag Archives: Big Daddy Kane

Hip-Hop Quotable Wednesdays – AZ – “Rather Unique”

30 Wednesday Oct 2013

Posted by bluelineswork in Hip-Hop Quotable Wednesdays

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1995, Amar Pep, Anthony Cruz, Anticipation, AZ, AZ The Visualiza, Big Daddy Kane, Blue Lines, Blue Lines Blog, Buckwild, Doe Or Die, DR Period, East Coast Hip-Hop, EMI, Funky Drummer, Hip-Hop, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, iPhone, iPhone 5, iPhone Post, Just Rhymin with Biz, Key Yemaya Walker, Koch, L.E.S., Les McCann, Loose, Lunatic Mind, Mafioso rap, Motown, music, N.O. Joe, New York, New York City, Noo Trybe Records/Virgin, Pete Rock, Queens, Quiet Money Records, Rapper, Rather Unique, Ski, Sosa, The Firm, USA, Vocals

Rock the house
East New York, East New York
East New York, East New York
East New York, East New York
East New York, East New York
To my n—a AZ to the fullest

We was already loyal to people’s minds and mulianis
Now we more f—ed up with a mayor named Guliani
You can try to bomb me analyze but can’t define me
My mind’s divine heavily entwined with Ghandi’s

Far from feeble, I leave your nostrils hard to breathe through
‘Cause my cerebrals are more of a higher plane than the Hebrews
Well my mic devotion brings out my deepest emotions
Overdosing wannabes posing sending them through convulsions

To hard to follow, you took a bite but couldn’t swallow
Your mind’s boggled but I’m as deep as Donald Goines novels
My whole persona’s kinda laid back like a recliner
And since my mama, I been f—ing with marijuana

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Blue Lines Blog – Album Review – Watch The Throne – Jay-Z and Kanye West

10 Wednesday Aug 2011

Posted by bluelineswork in Blue Lines

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Tags

Album Review, Angie Martinez, Atlanta, Bad Boy Records, Beyonce, Big Daddy Kane, Blue Lines, Blue Lines Blog, Bridgeport, Connecticut, Jay-Z, Kanye West, Key Yemaya Walker, Lonnie Liston Smith, Marcy Projects, Myla Wyndham, New Jersey, New York, OutKast, Q-Tip, Ralph McDaniels, Sean Carter, Show & Prove, Shyheim, The Notorious B.I.G., Tracey Lee, Watch the Throne

It was a late fall day in Bridgeport, Connecticut listening to Angie Martinez on Hot 97 in New York. The days were short, and the sun began to set in the gritty northeastern city around 4 pm, just before the end of class, but making it very dark before dinner. Night I vaguely remembered from a childhood stint in New Jersey. At the time Wu-Tang still ran the local airwaves, along with Biggie and Bad Boy remixes. I infected the campus with the hometown sounds of Outkast, but this night, the light piano of Lonnie Liston Smith’s “A Garden of Piece,” wrapped this amazing opus from an unknown artist we had last seen on an appearance on Big Daddy Kane’s “Show & Prove.” Believe me I know, being a Wu-Tang fan from high school, I knew tracks they or affiliates, Shyheim, appeared on.

Again, I first heard the amazing “Dead President’s” which eventually accompanied the B-Side track, “Ain’t No,” closed out my tenure in school up north, as I thought I was listening to another underground regional artist the likes of Tracey Lee, Akinyele, etc. my homegirl waited, as I affected, sat and listened to the entire track, likely penning something as we most likely left her room, my hideout, before eventually landing at Famous Pizza.

Later, he would release an album, I heard that Biggie had appeared on the track, and my friend Myla Wyndham who was a buyer at Tower Records told me he was coming to the store. As a good friend and I attended, we walked past the empty table, scanned the album, laughed and then waving to her, I left, knowing I would see her during another visit. Little did I know.

Beginning school again in Atlanta, I befriended a pure Atlanta resident, who would play, “Reasonable Doubt,” nonstop. It was then that my appreciation grew for this unheralded artist. At this same school, I would meet the same girl that our conversation consisted of, the obvious as Reasonable Doubt played in her car as she dropped me off at Marta.
“Do you like Jay-Z?” I tried to break the ice.
“Yes,” she simply stated.
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