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Text Tuesdays – The Yeezus Tour – Blue Lines Blog Review

04 Wednesday Dec 2013

Posted by bluelineswork in Blue Lines, Text Tuesdays

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808 & Heartbreak, 88-Keys, Ackee Juice Rockers, All Of The Lights, Alone, Andrew "Pop" Wansel, Anthony Kilhoffer, Arca, Article, Atlanta, Ben Bronfman, Benji B, Black Skinhead, Blood on the Leaves, Blue Lines, Blue Lines Blog, Blue Lines Blog Review, Bon Iver, Boogz & Tapez, Bound 2, Brodinski, Can't Tell Me Nothing, Carlos Broady, Che Pope, Chicago, Chief Keef, Clique, Coachella, Coachella Festival, Coachella Valley, Coachella Valley Music and Arts Festival, Cold, Coldest Winter, College Dropout, Cruel Summer, Cruel Summer (GOOD Music album), Daft Punk, Dan Black, Def Jam, Diamonds from Sierra Leone, Director, Dom Solo, DONDA, Donda West, Edgar Allen Poe, entrepreneur, Eric Danchick, Evian Christ, fashion designer, Flashing Lights, Georgia, Gesaffelstein, Glow In The Dark Tour, Godspeed You! Black Emperor, GOOD, Good Life, GOOD Music label, Graduation, Guilt Trip, Heartless, Hip-Hop, Hit-Boy, Hold My Liquor, Hudson Mohawke, I Am a God, I Don't Like, I'm In It, Illinois, Illmind, Instagram, iPhone, iPhone 5, iPhone Post, Jack Donoghue, Jeff Bhasker, Jesus Walks, Justin Vernon, Kanye Omari West, Kanye West, Ken Lewis, Kendrick Lamar, Key Yemaya Walker, keyboards, Late Registration, Lifted, Lost in The World, Lunice, Lupe Fiasco, Mannie Fresh, Mano, Mercy, Mike Dean, Mike Will, Mountain, Mufasa, music, My Beautiful Dark Twisted Fantasy, N.E.R.D., Nas, New Slaves, Nine Inch Nails, No ID, Noah Goldstein, On Sight, percussion, Philips Arena, Power, Rapper, record producer, Rick Rubin, Rihanna, Roc-A-Fella, Runaway, S1, sampler, Send It Up, Sham Joseph, Singer-songwriter, Stronger, synthesizer, Text Tuesdays, The Lion King, The Twilite Tone, The Yeezus Tour, Through the Wire, Tommy Brown, Travi$ Scott, Travis Scott, U.S., United States, Very GOOD Beats, Vocals, Yeezus, Young Chop

“…As others saw; I could not bring
My passions from a common spring.
From the same source I have not taken
My sorrow; I could not awaken
My heart to joy at the same tone;
And all I loved, I loved alone.
Then- in my childhood, in the dawn
Of a most stormy life- was drawn
From every depth of good and ill
The mystery which binds me still…”
Excerpt from “Alone” by Edgar Allen Poe.

20131204-155759.jpg

A top the mountain.

Atlanta – December, 2013

A mountain, a mask, and a fashion of playing to an audience while hiding behind something…

In one of the strangest performances that I have witnessed since Godspeed You! Black Emperor’s opening for Nine Inch Nails, Chicago artist, Kanye West returned to the city of his birth with The Yeezus Tour in support of the aforementioned 2013 album. Poised to present his first solo tour in 5 years (previously touring with his Glow In The Dark Tour featuring Rihanna, N.E.R.D., Lupe Fiasco, and Nas) with opening act Kendrick Lamar.

An elaborately choreographed presentation spanning Kanye’s College Dropout, Late Registration, with some focus on Graduation, but, to my liking, taking the majority of the direction from Yeezus, and 808 & Heartbreak and My Beautiful Dark Twisted Fantasy with preceded it, the tour arrived amid the inordinate press that has been known to follow Kanye since 2007. Recent remarks, and blowups have litter current media with talking points regarding the Chicago artist have also followed with the “Talk My Shit,” interludes that now litter dates of his tour.

20131204-155825.jpg

Ye in action.

The performance intelligently began with Yeezus content, with Yeezy perched atop a mountain with a moon like video board that tempered the climate of the show, whether creating a moon effect, displaying weather, or giving a close up of the performance. Though Kanye, tends to project a larger than life persona, the use of four ornate masks, he plays a high energy show, allowing a separation between he and his audience. Kanye conceals himself for 85% – 90% of the performance. The anonymous and uniform theme is extended to the female dancers and male extras who are covered in full bodysuits, allowing all attention to be focused on the act, Kanye himself.

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Hip-Hop Quotable Wednesdays – Beastie Boys feat Q-Tip – “Get It Together (A.B.A. Remix)”

06 Wednesday Nov 2013

Posted by bluelineswork in Blue Lines

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1994, A Tribe Called Quest, A.B.A. Remix, Abednego, Abstract, Ad-Rock, Adam Horovitz, Adam Keefe Horovitz, Adam Nathaniel Yauch, Adam Yauch, Adrock, alternative hip hop, Aquarius/Let the Sunshine In, Arista, Atwater Village, bass, bass guitar, Battery, Beastie Boys, Bell Communications, Biz Markie, Bloach, Blue Lines, Blue Lines Blog, Brooklyn, Buddhist, Capitol, Capitol/Grand Royal, Chachi, Country Mike, Def Jam, Director, disc jockey, DJ, Drummer, drums, Eugene McDaniels, Evan Bernard, Farmers Blvd, film distributor, G-Son Studios, Get It Together, Get It Together (A.B.A. Remix), good music, Grand Funk Railroad, Grand Royal, guitar, Guitarist, Happy Days, hardcore punk, Headless Heroes, Hip-Hop, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Ill Communication, Ione, Ione Skye, jazz-funk, jazz-rap, Jewish, Jive, Joanie, Joanie Loves Chachi, John Holmes, John Starks, Jonathan Davis, Kamaal Ibn John Fareed, Key Yemaya Walker, keyboards, King Adrock, Ma Bell, Manhattan, Mario Caldato Jr, MC, MC Love Child, MCA, Meshach, Michael Diamond, Mike D, Moog, Moog Machine, music, musician, Nathanial Hörnblowér, Native Tongues, Native Tongues Posse, New York, New York City, New York Knicks, Nothing Is the Same, NY, percussion, Piano/keyboards, Q-Tip, Queens, Queens New York, Rap rock, rapcore, Rapper, Rapping, Rat Cage, record producer, Sabotage / Get It Together, Shadrach, sitar, songwriter, Sp-1200, St. Albans, The King of Lunch, Tin Pan Alley, Turntables, U.S., United States, Universal Motown, US, USA, Vassar College, Vocals, Young and the Useless

[Q-Tip]
One-two, one-two, keep it on
Listen to the s–t because we kick it ’til dawn
Listen to the Abstract, got it going on
Listen to the ladies, come on and let me spawn
On your eggs, then you go up the river
Listen to the abstract, that freaky n—a

[Ad Rock]
Now I’m Ad Rock and I shock and I tick and I tock
And I can’t stop with the body rock

[Mike D]
See, I’ve got heart like John Starks
Hitting mad sparks
Pass me the mic and I’ll be rockin’ the whole park

[MCA]
Well, I’m the M to the C to the A and it’s a must
The rhymes that we bust on the topic of lust

[Q-Tip]
And my Moms is not butt, but f–k it
Let me get down to the rhythm
Yes, I get funky and I’m shooting all my jism
Like John Holmes, the X-rated n—-r
Listen to the s–t cause I am the ill figure
Nobody’s getting any bigger than this

*Get it together*
Get…
Phone is ringing, oh my God
*Get it together, see what’s happening*

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Hip-Hop Quotable Wednesdays – Raekwon feat Method Man & Ghostface Killah – “New Wu”

28 Wednesday Aug 2013

Posted by bluelineswork in Hip-Hop Quotable Wednesdays

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2009, actor, Aftermath, Author, Blue Lines, Blue Lines Blog, Bobby Digital, Brian Urlacher, Brooklyn, Brownsville, ceo, Clifford Smith, Corey Woods, Daytona 500, Def Jam, Director, Epic, Ghostface, Ghostface Killah, Ghostface Killer, Hempstead, Hip-Hop, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, I've Changed, Key Yemaya Walker, Long Island, Loud, Method Man, music, New Wu, New York, New York City, Only Built 4 Cuban Linx... Pt. II, Prince Rakeem, Raekwon, Raekwon the Chef, Rapper, Razor Sharp, record producer, Robert Fitzgerald Diggs, RZA, Rzarector, screenwriter, Shallah Raekwon, Soul Temple, Starks Enterprises, Staten Island, The Abbot, The Magictones, The Scientist, Tony Starks, U.S., United States, Universal, Urlacher, USA, Wu-Tang, Wu-Tang Clan

[Intro: Raekwon]
Uh-huh, what up son? Yeah
Maintaining, maintaining, you know?
You good, right? Everything proper, still, right?
Of course, come on, man, what’s the matter wit you, man?
Ain’t nothing, I just want us to be on

[Chorus: Method Man]
Tell a friend, it’s that symbol again, that W
Coming through, bust a shot on your block, give me a suu
Get it right, all my chicks hold ya t-ts, let’s get it in
All my n—as take a toke off this weed, let it begin
Here we go, yo, ya’ll already know what it do
Brand new, n—a, back from the slums, it be the Wu
Now throw ya W’s up, back from the slums, it be the Wu

[Raekwon]
You know how to dress a lad, get rocked, hundred bags, black doorags
Ski masks is on, g-rags
N—a try to take pictures, relax, still in the grass
You’ll learn respect, burst when I ask
Rhyme master busy, Rizzy on the subject
Love Deck, thug buried, drug vest, snub sets, killing the most
Night time toast, gorillas in boats, three boats
Realers is killa, gangsta feel notes
Hibernation yo, switch up, liver nation, fly information
Vivid vacation, deliberation moments
Move like ’91 Romans, cloning everything
Gents only, the rent’s on the stove, I’m in Rome
Maxed out, Amex style, my team brand bandits
Make a move and get blown off the planet, baby
Hold that cannon, just understand we got the whole s–t
Padlocked down, my n—as won’t have it

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Foto Fridays – Vashtie Kola Shooting Pics in Atlanta

22 Friday Jun 2012

Posted by bluelineswork in Foto Fridays

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Atlanta, Beautiful, blog, Blogger, Blue Lines, Blue Lines Blog, Director, Fashion, Foto, Foto Fridays, Instagram, iPhone 4S, iPhone Post, iPhoneagraphy, Key Yemaya Walker, Manhattan, New York, Photographer, Photography, photoshop, Rise Filter, Trinidad and Tobago, Va$htie, Vashtie, Vashtie Kola, video

My blogging inspiration.
20120622-142610.jpg

The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

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