New To You Music Sundays – RL Grime feat Daya – “I Wanna Know”

Tags

1991, 1998, 2018, Artbeatz, Atlanta, Blue Hurt, Blue Lines, Blue Lines Blog, Boston, California, Chapel Hill, Clockwork, Daya, Dim Mak Records, DJ, drum and bass, electro house, electronic, Fool's Gold, Georgia, Grace Martine Tandon, Henry Alfred Steinway, House, I Wanna Know, India, Interscope, Key Yemaya Walker, Keypsiia, Keypsiia Walker, Keypsiia Yemaya Walker, Los Angeles, Mad Decent, music, New To You Music Sundays, New To You Sundays, Northeastern University, Pennsylvania, Pittsburgh, pop, Producer, Punjab, Punjabi, Red, RL Grime, Sacramento, Singer, songwriter, Synthpop, trap, UNC, UNC Chapel Hill, United States, University of North Carolina at Chapel Hill, WeDidIt

The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

Music Mondays – Marshmello feat Khalid – “Silence”

Tags

2017, Alternative R&B, André "Dre" Harris, Andre Harris, Atlanta, Blue eyed soul, Blue Hurt, Blue Lines, Blue Lines Blog, California, Chandelier, Chris Comstock, Chris West, Daley, DJ, Dotcom, electronic, Electropop, England, Fort Stewart, Future Bass, Gareth Daley, George Moore, Georgia, Inertia, Key Yemaya Walker, Keypsiia, Keypsiia Walker, Keypsiia Yemaya Walker, Khalid, Khalid Amhearst Robinson, Los Angeles, Marshmello, Monstercat, music, OWSLA, pop, R&B, Sacramento, Soul, The Spectrum, trap, True, Vocals

The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

Hip-Hop Quotable Wednesdays – De La Soul – “I Am I Be”

Tags

1993, alternative hip hop, Atlanta, Blue Hurt, Blue Lines, Blue Lines Blog, Brooklyn, Buhloone Mindstate, California, Chicago, Dave, David Jude Jolicoeur, De La Soul, DJ, Eddie Harris, Georgia, Hip-Hop, Hip-Hop Music, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, I Am I Be, Illinois, James Edward Pryor, James Willis Ponder, Jefferson Starship, Jimmy Ponder, Keep Your Fat Mouth Out of My Business, Kelvin Mercer, Key Yemaya Walker, Keypsiia, Keypsiia Walker, Keypsiia Yemaya Walker, Lambert, Long Island, Los Angeles, Lou Rawls, Maceo Parker, Maseo, Miracles, Mississippi, music, Native Tongues, New York, New York City, Pennsylvania, Philadelphia, Pittsburgh, Plug 1, Plug 2, Poem, Poet, poetry, Posdnuos, Producer, Prose, Rapper, Sacramento, San Francisco, Shades of Brown, Shortie No Mass, Snooky Pryor, Terressa Thompson, The Bronx, The Next Band – Music: Brother Soul Pt. 1, The Soil I Tilled for You, Tommy Boy, Trugoy The Dove, Vincent Lamont Mason Jr, Vocal, Warner Bros., Warner Bros. Records, While My Guitar Gently Weeps, You've Made Me So Very Happy

[Verse 1]
I am Posdnous
I be the new generation of slaves
here to make papes to buy a record exec rakes
the pile of revenue I create
But I guess I don’t get a cut cuz my rent’s a month late
Product of a North Carolina cat
who scratched the back of a pretty woman named Hattie
Who departed life just a little too soon
and didn’t see me grab the Plug Tune fame
As we go a little somethin’ like this
look ma, no protection

Music Mondays – Moby feat Skylar Grey – “The Last Day”

Tags

2013, acid house, alternative rock, ambient, bass guitar, Blue Lines, Blue Lines Blog, Connecticut, Darien, DJ, downtempo, drums, EDM, Electronic rock, Electronica, Elektra, experimental music, Folk rock, guitar, hardcore punk, Harlem, Holly Brook, Holly Brook Hafermann, Innocents, Instinct, Interscope, iPhone, iPhone 5, iPhone Post, iTunes, Key Yemaya Walker, keyboards, KIDinaKORNER, Little Idiot, Machine Shop, Mark 'Spike' Stent, Mazomanie, Moby, music, Music Mondays, musician, Mute, New York, Outer Rhythm, Photographer, piano, pop, Richard Melville Hall, Singer, Singer-songwriter, Skylar Grey, songwriter, techno, The Last Day, Turntables, U.S., United States, V2/BMG, Virgin/EMI, Vocals, Wisconsin, XL

The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

Hip-Hop Quotable Wednesdays – Beastie Boys feat Q-Tip – “Get It Together (A.B.A. Remix)”

Tags

1994, A Tribe Called Quest, A.B.A. Remix, Abednego, Abstract, Ad-Rock, Adam Horovitz, Adam Keefe Horovitz, Adam Nathaniel Yauch, Adam Yauch, Adrock, alternative hip hop, Aquarius/Let the Sunshine In, Arista, Atwater Village, bass, bass guitar, Battery, Beastie Boys, Bell Communications, Biz Markie, Bloach, Blue Lines, Blue Lines Blog, Brooklyn, Buddhist, Capitol, Capitol/Grand Royal, Chachi, Country Mike, Def Jam, Director, disc jockey, DJ, Drummer, drums, Eugene McDaniels, Evan Bernard, Farmers Blvd, film distributor, G-Son Studios, Get It Together, Get It Together (A.B.A. Remix), good music, Grand Funk Railroad, Grand Royal, guitar, Guitarist, Happy Days, hardcore punk, Headless Heroes, Hip-Hop, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Ill Communication, Ione, Ione Skye, jazz-funk, jazz-rap, Jewish, Jive, Joanie, Joanie Loves Chachi, John Holmes, John Starks, Jonathan Davis, Kamaal Ibn John Fareed, Key Yemaya Walker, keyboards, King Adrock, Ma Bell, Manhattan, Mario Caldato Jr, MC, MC Love Child, MCA, Meshach, Michael Diamond, Mike D, Moog, Moog Machine, music, musician, Nathanial Hörnblowér, Native Tongues, Native Tongues Posse, New York, New York City, New York Knicks, Nothing Is the Same, NY, percussion, Piano/keyboards, Q-Tip, Queens, Queens New York, Rap rock, rapcore, Rapper, Rapping, Rat Cage, record producer, Sabotage / Get It Together, Shadrach, sitar, songwriter, Sp-1200, St. Albans, The King of Lunch, Tin Pan Alley, Turntables, U.S., United States, Universal Motown, US, USA, Vassar College, Vocals, Young and the Useless

[Q-Tip]
One-two, one-two, keep it on
Listen to the s–t because we kick it ’til dawn
Listen to the Abstract, got it going on
Listen to the ladies, come on and let me spawn
On your eggs, then you go up the river
Listen to the abstract, that freaky n—a

[Ad Rock]
Now I’m Ad Rock and I shock and I tick and I tock
And I can’t stop with the body rock

[Mike D]
See, I’ve got heart like John Starks
Hitting mad sparks
Pass me the mic and I’ll be rockin’ the whole park

[MCA]
Well, I’m the M to the C to the A and it’s a must
The rhymes that we bust on the topic of lust

[Q-Tip]
And my Moms is not butt, but f–k it
Let me get down to the rhythm
Yes, I get funky and I’m shooting all my jism
Like John Holmes, the X-rated n—-r
Listen to the s–t cause I am the ill figure
Nobody’s getting any bigger than this

*Get it together*
Get…
Phone is ringing, oh my God
*Get it together, see what’s happening*

Hip-Hop Quotable Wednesdays – Blu & Exile – “Dancing In The Rain”

Tags

2007, Aleksander Manfredi, alternative hip hop, Below the Heavens, Blu, Blu & Exile, Blu And Exile, Blue Lines, Blue Lines Blog, California, Dancing In The Rain, DJ, Exile, hip hop DJ, Hip-Hop, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Johnson Barnes, Key Yemaya Walker, Los Angeles, MPC, music, Producer, Rapper, record producer, sampler, San Pedro, Sire, Sound in Color, Sound in Color Records, Turntable, U.S., Underground hip hop, Warner Bros. Records, West Coast

Fitting for this monsoon coming down in Chicago this evening.

[Verse 1:]
It’s six o’clock I’m hoppin’ out of the bed
Rain fallin’, callin’ ex but my phoneline is dead
I guess my bills ain’t paid
No ride to work for the day
Second option hop the bus but there’s a traffic delay
My boss trippin’ cause I’m runnin’ late and ain’t no excuse
When I’m about to be 22 without a whip I could swoop
Feel like I’m fixin to shoot my own dome with chrome to escape
Zonin’ out cause workin workin out ain’t worth what I make
My lady callin’ buggin’ always fussin’ just cause we ain’t ballin’
But it’s hard because her cousin is f–kin’ rich cause her husband’s hustlin’
And I ain’t f–kin touchin’ nothin’ but a mic
Five o’clock and off of work ready to go home and write
But I ain’t got a buck to catch the bus, chillin’ at the stop
Rain fallin’ hard as ever and it’s soakin’ my socks
F–k it, kick my kicks off and took off my jacket
Roll my jeans up beat up and my headphones blastin’
Blazed some weed up and started laughin’
While I’m splashin’ in puddles like
Mothaf–k a struggle we dancin’ in the rain

[Chorus 1:]
Don’t nobody wanna dance slow in the rain
Just move yo a-s… just move yo a-s
Don’t nobody wanna liberate the way to the pain
Just move yo a-s… just move yo a-s

Hip-Hop Quotable Wednesdays – A Tribe Called Quest – “Award Tour” requested by Promoter Ike’s World

Tags

12" maxi single, 1993, A Tribe Called Quest, Ali Shaheed Jones-Muhammad, Ali Shaheed Muhammad, alternative hip hop, Atlanta, Atlanta Braves, bass, Blue Lines, Blue Lines Blog, Braves, Brooklyn, Chinatown, Dallas, David Jude Jolicoeur, DC, De La Soul, Delaware, digital download, DJ, Dove, Hip-Hop, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Houston, Jarobi White, Jazz Merchant Music, jazz-rap, Jive Records, Jonathan Davis, Kamaal Ibn John Fareed, Key Yemaya Walker, keyboard, L.A., Large Professor, London, Long Island, Malik Isaac Taylor, Malik Izaak Taylor, Maryland, Midnight Marauders, Motown, music, N.C., Native Tongues, New Orleans, New York, New York City, New York Yankees, NJ, Nodlew Music, November, NY, Oaktown, Phife Dawg, Producer, Q-Tip, Queens, Queens New York City, Rapper, S.C., sampler, San Fran, Skeff Anselm, Spokane, St. Albans, St. John, Tokyo, Trinidad and Tobago, Trugoy, Trugoy The Dove, Turntables, Unichappell Music Inc., United States, Universal Music - Z Tunes LLC, USA, VA, Vocal, Weldon Irvine Jr, Yankees

[chorus Dove from De La Soul:]
We on Award Tour with Muhammad my man
Going each and every place with the mic in their hand
New York, NJ, N.C., VA
We on Award Tour with Muhammad my man
Going each and every place with the mic in their hand
Oaktown, L.A., San Fran, St. John

[Q-Tip:]
People give your ears so I be sublime
It’s enjoyable to know you and the concubine
N—az, take off your coats ladies, act like chorus Dove from De La Soul:
We on Award Tour with Muhammad my man
Going each and every place with the mic in their hand
New York, NJ, N.C., VA
We on Award Tour with Muhammad my man
Going each and every place with the mic in their hand
Oaktown, L.A., San Fran, St. John

[Q-Tip:]
People give your ears so I be sublime
It’s enjoyable to know you and the concubine
N—az, take off your coats ladies, act like GEMS
Sit down, Indian style, as we recite these hymns
See, lyrically I’m Mario Andretti on the mo-mo
Ludicrously speedy, or infectious with the slow-mo
Heard me in the eighties, J Beez on the promo
On my never ending quest to get the paper on the
Caper

Music I Like – Swedish House Mafia feat John Martin – “Don’t You Worry Child” Live

Tags

Athens, Avicii, Axel Christofer Hedfors, Axel Hedfors, Axwell, Best Dance Recording, Blue Lines, Blue Lines Blog, Blue Lines Coachella Weekend, Blue Lines Coachella Weekend 2012, Coachella, Coachella 2012, Coachella Valley, Coachella Valley Music and Arts Festival, deep house, digital download, disc jockey, DJ, drum machine, dubstep, electro house, Electronic musician, funky house, Grammy nomination, Greece, House, house disc jockeys, Italian, John Martin, John Martin Lindström, Key Yemaya Walker, Label Owner, Lund, Michel Zitron, Ministry of Sound Australia, music, Music I Like, music producer, Music Sequencer, Personal Computer, Polydor, Polydor Records, Producer, Progressive House, record producer, refune records, remixer, Sebastian Carmine Ingrosso, Sebastian Ingrosso, Singer, Size Matters, Size Records, songwriter, Steve Angello, Steven Angello Josefsson Fragogiannis, Stockholm, Sweden, Swedish House Mafia, synthesizers, Tech house, techno, UMG, Until Now, Vocals

I woke up with this song on repeat in my head, therefore it’s today’s theme song.


The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

Hip-Hop Quotable Wednesdays – The Roots – “You Got Me”

Tags

1999, activist, Actress, Ahmir Khalib Thompson, Ahmir Questlove Thompson, alternative hip hop, alternative rock, Captain Kirk Douglas, Common, Dallas, Dame DAsh, Def Jam, DGC, Dice Raw, DJ, Drummer, Erica Abi Wright, Erica Wright, Erykah Badu, Eve, Funk, Grammy Award for Best Rap Performance by a Duo or Group, Hip-Hop, Hub, Interscope-Geffen-A&M, Jazz, jazz-rap, Josh Abrams, journalist, Kamal Gray, Leonard "Hub" Hubbard, Malik B., MCA, MCA Records, neo soul, Okayplayer, Pennsylvania, Philadelphia, Questlove, R&B, Rahzel, Rapper, record producer, Ruff Ryders, Singer-songwriter, Soul, Tariq "Black Thought" Trotter, Tariq Trotter, Texas United States, The Black Thing, The Fifth Dynasty, The Grand Wizzards, The Legendary Roots Crew, The Roots, The Square Roots, Things Fall Apart, U.S., You Got Me

[Featuring Erykah Badu]
[Chorus] x 2
(Erykah Badu)
If you were worried ’bout where
I been or who I saw or
what club I went to with my homies
baby don’t worry you know that you got me
[Verse 1]
(Black Thought)
Somebody told me that this planet was small
we use to live in the same building on the same floor
and never met before
until I’m overseas on tour
and peep this ethiopian queen from philly
taking classes abroad
she studying film and photo flash focus record
said she workin on a flick and
could my click do the score
she said she loved my show in paris
at Elysee Montmartre
and that I stepped off the stage
and took a piece of her heart
we knew from the start that
things fall apart, intentions shatter
she like that sh-t don’t matter
when I get home get at her
through letter, phone, whatever
let’s link, let’s get together
sh-t you think not, think the Thought went home and forgot
time passed, we back in philly now she up in my spot
tellin me the things I’m tellin her is makin her hot
startin buildin with her constantly round the clock
now she in my world like hip-hop
and keep tellin me

Music Mondays Part 2 – Usher – “Climax”

Tags

2012, Ariel Rechtshaid, Arista, Atlanta, baile funk, Big Dada, Blaqstarr, Blue Lines, Blue Lines Blog, Climax, Das Racist, Diplo, DJ, dubstep, electro house, electronic, February, February 22, Hip-Hop, Hooked on Hollerphonix, Jive, Key Yemaya Walker, LaFace, Looking for Myself, Mad Decent, Major Lazer, MIA, music, Pennsylvania, Philadelphia, pop, quiet storm, R&B, RCA, Redd Stylez, sex, Thomas Wesley Pentz, Tiësto, United States, Usher, Usher Raymond, Valentine's Day

Not my usual post, but this song keeps playing, and Diplo’s (Major Lazer) production works very well.
cli·max   /ˈklaɪmæks/ [klahy-maks]
noun
1. the highest or most intense point in the development or resolution of something; culmination: His career reached its climax when he was elected president.


The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.