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Hip-Hop Quotable Wednesdays – Pulitzer Prize Kendrick Lamar feat Rihanna – “LOYALTY.” C Week

18 Wednesday Apr 2018

Posted by bluelineswork in Hip-Hop Quotable Wednesdays

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1986, 1987, 1988, 2017, 2018, Ab-Soul, Aftermath, Alternative, Anderson .Paak, Atlanta, Barbados, Black, Black Hippy, Black Panther, Black Panther Soundtrack, Bloody Waters, Blue Hurt, Blue Lines, Blue Lines Blog, Brandon Paak Anderson, Breezy Lovejoy, California, Carson, Chapel Hill, Compton, Dacoury Natche, DAMN, Def Jam, Def Jam Recordings, Del Amo, Digi+Phonics, DJ Dahi, drums, electronic, Enfield, England, experimental Hip-Hop, Ferrari, Footprints, Funk, Georgia, Glock, Hail Mary, Harmonimix, Herbert Stevens IV, Hip-Hop, Hip-Hop Music, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Interscope, Jamaica, James Blake, James Litherland, Jazz, jazz fusion, Kendrick Duckworth, Kendrick Lamar Duckworth, Key Yemaya Walker, keyboard, Keypsiia, Keypsiia Walker, Keypsiia Yemaya Walker, Killmonger, Korean, Kung Fu Kenny, London, Los Angeles, Mark Spears, Marvel, Marvel Cinematic Universe, MCU, North Carolina, One-Take Blake, Oxnard, percussion, piano, Pop-Rap, post-dubstep, Pulitzer Prize, R&B, Ralph's, Rapper, Rihanna, Robin Hannibal, Robin Hannibal Mølsted Braun, Robyn Rihanna Fenty, Roc Nation, songwriter, Soul, Soundtrack, Sounwave, Stones Throw, synthesizer, T'Challa, Terrace Jamahl Martin, Terrace Martin, The Lox, Top Dawg, Top Dawg Entertainment, UNC, UNC Chapel Hill, United Kingdom, United States, Universal Music Publishing Group, University of North Carolina at Chapel Hill, Vocals, Zacari

Last years glo-up, Pulitzer Prize winning artist and album (2018).
[DJ Dahi:]
I said I’m geeked and I’m fired up (fired, fire)
All I want tonight is just get high up (high, high, high)
Girl, you look so good, it’s to die for (die for)
Ooh, that p—y good, it’s to die for (on fire)

[Kendrick Lamar & Rihanna:]
It’s a secret society
All we ask is trust
(All we ask is trust)
All we got is us
Loyalty, loyalty, loyalty
Loyalty, loyalty, loyalty

[Kendrick Lamar:]
Kung Fu Kenny now
My resume is real enough for two millenniums
A better way to make a wave, stop defendin’ them
I meditate and moderate all of my wins again
I’m hangin’ on the fence again
I’m always on your mind
I put my lyric and my lifeline on the line
And ain’t no limit when I might shine, might grind
You rollin’ with it at the right time, right now
(Only for the dollar sign)
[https://youtu.be/Dlh-dzB2U4Y] Continue reading →

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Hip-Hop Quotable Wednesdays – Ab-Soul, Anderson .Paak, & James Blake – “Bloody Waters”

28 Wednesday Mar 2018

Posted by bluelineswork in Hip-Hop Quotable Wednesdays

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1986, 1987, 2018, Ab-Soul, Aftermath, Alternative, Anderson .Paak, Atlanta, Black, Black Hippy, Black Panther, Black Panther Soundtrack, Bloody Waters, Blue Hurt, Blue Lines, Blue Lines Blog, Brandon Paak Anderson, Breezy Lovejoy, California, Carson, Chapel Hill, Compton, Del Amo, Digi+Phonics, drums, electronic, Enfield, England, experimental Hip-Hop, Footprints, Funk, Georgia, Glock, Hail Mary, Harmonimix, Herbert Stevens IV, Hip-Hop, Hip-Hop Music, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Interscope, Jamaica, James Blake, James Litherland, Kendrick Duckworth, Kendrick Lamar Duckworth, Key Yemaya Walker, keyboard, Keypsiia, Keypsiia Walker, Keypsiia Yemaya Walker, Killmonger, Korean, London, Los Angeles, Mark Spears, Marvel, Marvel Cinematic Universe, MCU, North Carolina, One-Take Blake, Oxnard, percussion, piano, Pop-Rap, post-dubstep, R&B, Ralph's, Rapper, Robin Hannibal, Robin Hannibal Mølsted Braun, songwriter, Soul, Soundtrack, Sounwave, Stones Throw, synthesizer, T'Challa, The Lox, Top Dawg, Top Dawg Entertainment, UNC, UNC Chapel Hill, United Kingdom, United States, Universal Music Publishing Group, University of North Carolina at Chapel Hill, Vocals, Zacari

[Ab-Soul:]
Meet the man in the mask
Meet the man in the mask
[James Blake:]
All those days and all that stays and
I don’t keep it
I won’t be here for it
All those days and all that stays and
I don’t keep it though
I won’t be here for it

[Anderson .Paak:]
Yes Lord, huh
Hail Mary’s in the sky
Bossed up let’s get buried alive
Head on the throne ’cause that’s where I reside (reside)
Ways of the world that we won’t survive
Something’s in the water
My n—a we lawless (lawless)
Please move with caution
Who set the fair way? (fair way)
Damn right I need all this (all this)
Yeah Jack I need all this, eyy
Continue reading →

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New To You Music Sundays – Damien Rice – “Accidental Babies”

24 Sunday May 2015

Posted by bluelineswork in New To You Music Sundays

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2006, 9, Accidental Babies, Blue Hurt, Blue Lines, Blue Lines Blog, cello, clarinet, Cora Venus Lunny, Damien Rice, drums, Fender Rhodes, Glasses, guitar, Joel Shearer, Key Yemaya Walker, live, music, New To You Music Sundays, Olympia, Paris, percussion, piano, Producer, Shane Fitzsimons, Singing Bowls, Tom Osander, UNC Chapel Hill, University of North Carolina at Chapel Hill, Viola, Violin, Vyvienne Long


0
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

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Cover Sundays – Robot Koch x Delhia De France – “Try Again” – Aaliyah Cover

10 Sunday May 2015

Posted by bluelineswork in Cover Sundays

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2000, Aaliyah, Aaliyah Dana Haughton, Aaliyah Haughton, African, Brooklyn, Cover, Cover Songs, Cover Sundays, Covers, Delhia de France, DMX, drums, electronic, film soundtrack, German, Jet Li, Manhattan Center, New York, New York City, Oneida, piano, Robert Koch, Robot Koch, Romeo Must Die: The Album, Soundtrack, Static Major, Stephen Garrett, synthesizer, Timbaland, Timothy Mosley, Try Again


Aaliyah-Robot-Koch-Delhia-de-France-Try-Again
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

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Cover Sundays – Robot Koch feat Delhia de France – “California Dreamin” – Mamas & The Papas Cover

19 Sunday Apr 2015

Posted by bluelineswork in Cover Sundays

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2015, alternative rock, Blue Hurt, Blue Lines, Bpitch Control, California, California Dreamin, Cover, Cover Songs, Cover Sundays, Covers, Delhia de France, drums, Duane Johnson, Dwayne Johnson, Flynn Picture Company, Four Music, Germany, John Phillips, Key Yemaya Walker, Michelle Phillips, musician, New Line Cinema, piano, Project Mooncircle, Robert Koch, Robot Koch, Robots Don't Sleep, San Andreas, synthesizer, The Rock, The Tape, Village Roadshow Pictures, Vocals, Warner Bros. Pictures


Robot
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

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New To You Music Sundays – The Strokes – “One Way Trigger”

15 Sunday Dec 2013

Posted by bluelineswork in New To You Music Sundays

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2013, Albert Hammond, Albert Louis Hammond, alternative rock, backing vocals, bass, bass guitar, Black Seal, Blue Lines, Blue Lines Blog, Brazil, California, Comedown Machine, Cult, Drummer, drums, Electric Lady Studios in New York City, Fab, Fab Moretti, Fabrizio Moretti, Garage rock, garage rock revival, guitar, guitar synthesizer, Guitarist, Gus Oberg, harmonica, Indie pop, indie rock, Jr., Julian Casablancas, Julian Fernando Casablancas, Key Yemaya Walker, keyboards, Los Angeles, melodica, musician, New Line, New To You Music Sundays, new wave, New York, New York City, Nick Valensi, Nikolai Fraiture, One Way Studios in Upstate New York, One Way Trigger, percussion, piano, post-punk revival, RCA, Rio de Janeiro, rock, Rough Trade, Rykodisc, Scratchie, Singer, songwriter, Sony BMG, Synthpop, tenor guitar, The Strokes, U.S., United States, Vocals

20131215-135002.jpg
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

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Music Mondays – Imogen Heap – “Hide And Seek”

09 Monday Dec 2013

Posted by bluelineswork in Blue Lines

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2005, Almo Sounds, Alternative, alternative rock, ambient, array mbira, Blue Lines, Blue Lines Blog, cello, clarinet, dream pop, drums, East London, Electronica, England, ethereal wave, folktronica, Frou Frou, guitar, Hang, Havering, Hide And Seek, Immi, Imogen Heap, Imogen Jennifer Heap, indie rock, Key Yemaya Walker, keyboards, keytar, Megaphonic, Megaphonic Records, music, Music Mondays, nail violin, organ, pop, RCA Victor, RCA Victor (Sony), rock, sampler, Speak for Yourself, synthesizer, Synthpop, vocal percussion, Vocals, vocoder


Hide And Seek
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

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Music Mondays – Moby feat Skylar Grey – “The Last Day”

25 Monday Nov 2013

Posted by bluelineswork in Music Mondays

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2013, acid house, alternative rock, ambient, bass guitar, Blue Lines, Blue Lines Blog, Connecticut, Darien, DJ, downtempo, drums, EDM, Electronic rock, Electronica, Elektra, experimental music, Folk rock, guitar, hardcore punk, Harlem, Holly Brook, Holly Brook Hafermann, Innocents, Instinct, Interscope, iPhone, iPhone 5, iPhone Post, iTunes, Key Yemaya Walker, keyboards, KIDinaKORNER, Little Idiot, Machine Shop, Mark 'Spike' Stent, Mazomanie, Moby, music, Music Mondays, musician, Mute, New York, Outer Rhythm, Photographer, piano, pop, Richard Melville Hall, Singer, Singer-songwriter, Skylar Grey, songwriter, techno, The Last Day, Turntables, U.S., United States, V2/BMG, Virgin/EMI, Vocals, Wisconsin, XL

20131125-191343.jpg
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

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Hip-Hop Quotable Wednesdays – Beastie Boys feat Q-Tip – “Get It Together (A.B.A. Remix)”

06 Wednesday Nov 2013

Posted by bluelineswork in Blue Lines

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1994, A Tribe Called Quest, A.B.A. Remix, Abednego, Abstract, Ad-Rock, Adam Horovitz, Adam Keefe Horovitz, Adam Nathaniel Yauch, Adam Yauch, Adrock, alternative hip hop, Aquarius/Let the Sunshine In, Arista, Atwater Village, bass, bass guitar, Battery, Beastie Boys, Bell Communications, Biz Markie, Bloach, Blue Lines, Blue Lines Blog, Brooklyn, Buddhist, Capitol, Capitol/Grand Royal, Chachi, Country Mike, Def Jam, Director, disc jockey, DJ, Drummer, drums, Eugene McDaniels, Evan Bernard, Farmers Blvd, film distributor, G-Son Studios, Get It Together, Get It Together (A.B.A. Remix), good music, Grand Funk Railroad, Grand Royal, guitar, Guitarist, Happy Days, hardcore punk, Headless Heroes, Hip-Hop, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Ill Communication, Ione, Ione Skye, jazz-funk, jazz-rap, Jewish, Jive, Joanie, Joanie Loves Chachi, John Holmes, John Starks, Jonathan Davis, Kamaal Ibn John Fareed, Key Yemaya Walker, keyboards, King Adrock, Ma Bell, Manhattan, Mario Caldato Jr, MC, MC Love Child, MCA, Meshach, Michael Diamond, Mike D, Moog, Moog Machine, music, musician, Nathanial Hörnblowér, Native Tongues, Native Tongues Posse, New York, New York City, New York Knicks, Nothing Is the Same, NY, percussion, Piano/keyboards, Q-Tip, Queens, Queens New York, Rap rock, rapcore, Rapper, Rapping, Rat Cage, record producer, Sabotage / Get It Together, Shadrach, sitar, songwriter, Sp-1200, St. Albans, The King of Lunch, Tin Pan Alley, Turntables, U.S., United States, Universal Motown, US, USA, Vassar College, Vocals, Young and the Useless

[Q-Tip]
One-two, one-two, keep it on
Listen to the s–t because we kick it ’til dawn
Listen to the Abstract, got it going on
Listen to the ladies, come on and let me spawn
On your eggs, then you go up the river
Listen to the abstract, that freaky n—a

[Ad Rock]
Now I’m Ad Rock and I shock and I tick and I tock
And I can’t stop with the body rock

[Mike D]
See, I’ve got heart like John Starks
Hitting mad sparks
Pass me the mic and I’ll be rockin’ the whole park

[MCA]
Well, I’m the M to the C to the A and it’s a must
The rhymes that we bust on the topic of lust

[Q-Tip]
And my Moms is not butt, but f–k it
Let me get down to the rhythm
Yes, I get funky and I’m shooting all my jism
Like John Holmes, the X-rated n—-r
Listen to the s–t cause I am the ill figure
Nobody’s getting any bigger than this

*Get it together*
Get…
Phone is ringing, oh my God
*Get it together, see what’s happening*

Continue reading →

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#FMSPhotoADay – October – Day 24 – Dark – Nine Inch Nails Tension 2013 Tour

25 Friday Oct 2013

Posted by bluelineswork in #FMSphotoaday, #FMSphotoadayOCT, 30 Day Photo Challenge

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#FMSphotoaday, 30 Day Photo Challenge, Alessandro Cortini, Atlanta, backup vocals, bass, Blue Lines, Blue Lines Blog, cello, Dark, Day 24, drums, electronic, erhu, Fat Mum Slim, freestyle, guitar, Ilan Rubin, Industrial, Instagram, iPhone, iPhone 5, iPhone Post, Josh Eustis, Key Yemaya Walker, keyboards, lead vocals, Lisa Fischer, music, New York, New York City, NIN, Nine Inch Nails, October, percussion, Philips Arena, Photo Challenge, Photography, Pino Palladino, pop, R&B, Robin Finck, rock, Sharlotte Gibson, Soul, synthesizers, Tension 2013 Tour, trent reznor, Violin

20131025-115145.jpg

The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

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