6/30/15
I’ve been more chances than I deserve,
More rope than I deserve,
More people than I deserve,
But then I become than others deserve…
Where was I when you needed me?
Despite you silence, your fear…
Where was I when you gave me your support?
In my heart you stayed dear, Continue reading →
I’m not sure if the date, I found this in my iPad.
Reckoning
KS
Slowly the glow in our eyes faded,
The greatest moments,
Wasted moments,
Your indecision,
You lied to me,
While I lied to myself,
Move to myself,
And dream about myself…
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.
In recent readings, I read Sister Souljah’s The Coldest Winter Ever, and chose to answer the questions she offerered at the close of her novel. Over the coming weeks, I will offer my answers to her questions (some tailored to address my manuscript) in respect to work, Blue Lines. These questions were answered some time ago, earlier this year. I am providing them in that form.
1. Why did you choose to focus on your book subject?
2. Is Blue Lines a true story?
3. How did you write the story so authentically?
4. Did you, and if so, why did you decide to include yourself as a character?
5. Where we’re you when you first started writing Blue Lines?
6. Which character did you create first?
7. How did you write the manuscript, what method?
8. Why aren’t all of your characters Black?
9. What were you trying to achieve with the novel Blue Lines?
10. Will there be a sequel novel?
In recent readings, I read Sister Souljah’s The Coldest Winter Ever, and chose to answer the questions she offerered at the close of her novel. Over the coming weeks, I will offer my answers to her questions (some tailored to address my manuscript) in respect to work, Blue Lines. These questions were answered some time ago, earlier this year. I am providing them in that form.
1. Why did you choose to focus on your book subject?
2. Is Blue Lines a true story?
3. How did you write the story so authentically?
4. Did you, and if so, why did you decide to include yourself as a character?
5. Where we’re you when you first started writing Blue Lines?
6. Which character did you create first?
7. How did you write the manuscript, what method?
8. Why aren’t all of your characters Black?
9. What were you trying to achieve with the novel Blue Lines?
10. Will there be a sequel novel?
In recent readings, I read Sister Souljah’s The Coldest Winter Ever, and chose to answer the questions she offerered at the close of her novel. Over the coming weeks, I will offer my answers to her questions (some tailored to address my manuscript) in respect to work, Blue Lines. These questions were answered some time ago, earlier this year. I am providing them in that form.
1. Why did you choose to focus on your book subject?
2. Is Blue Lines a true story?
3. How did you write the story so authentically?
4. Did you, and if so, why did you decide to include yourself as a character?
5. Where we’re you when you first started writing Blue Lines?
6. Which character did you create first?
7. How did you write the manuscript, what method?
8. Why aren’t all of your characters Black?
9. What were you trying to achieve with the novel Blue Lines?
10. Will there be a sequel novel?
1. Why did you choose to focus on your book subject?
Around 1995-96 I had wanted to write a work that centered on Hip-Hop music, a love for Hip-Hop and wanted to build that as the backdrop with a love story between a young aspiring artist and the woman he sought and loved, using them as the metaphor of the larger underlying story. With the time periods music ranging from the current Notorious B.I.G., Jay-Z, Nas and Common, and echoing back to the Golden Age of A Tribe Called Quest, De La Soul, and post artists like Wu-Tang Clan, I wanted to you h the 90’s elements in relation to the story’s timeframe. Over the next few years, I developed only five pages of sparse content with space to fill in a story. Honestly, I did not “feel” or have a connection that compelled me to write. Though I wanted to write a book and loved Hip-Hop culture. I wanted to create a valid and quality narrative that would speak to readers beyond a specific genre and target audience. I wanted a well written project that conveyed a universal story.
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.
I’m not complaining, but the title sums up my feeling…I didn’t really feel like writing. I just couldn’t stop. I actually like some parts of this, and for the third time, I’ve easily added a new element. I hope you enjoy…I am thankful that I am having this period of inspiration, because I know the 8-9 years that I could not really write, made me question myself. Well without further adieu:
“I Don’t Want To Write Tonight”
KS 7/25/11
My grip wavered as I took the pen,
Fingers sloppy as I typed,
Eyes weary as I peered at the screen,
I just want to lay with you, I don’t want to write tonight,
Misspelled my words on the iPad,
Distracted by the song playing,
Consumed by the game on,
I just want to be nestled with you, I don’t want to write tonight,
Cognizant of the night turning to day,
Waiting for the alarm to go off,
You curled up in a cold ball,
Why am I here and not with you, I don’t want to write tonight, Continue reading →
Thanks to Little Dragon, and a delayed realization that their single with Yukimi of LD, was in my “Recently Added,” folder, I began to try to listen to their work.
Though, unfair to categorize these artists with N.A.S.A and Basement Jaxx, SBTRKT (Aaron Jerome) employ the same faceless artist concept, however they employ significantly less appearances by other artists. Supported primarily by Sampha on vocals and to a lesser extent relying artists on the affiliated Young Turks label, for support.
I was finally sold after their iTunes Live Festival in London performance, and had to more of their music. Opening the album with “Heatwave,” a wordless starter that cements that as something new and fresh. Followed by the similarly infectious “Hold On,” anchored by:
“…you’re giving me the coldest stare,
Like you don’t even know I’m here…”
It easily pulls you in, however convincing you that they have a distinct sound. Then comes the game changer as the Yukimi Nagano (Little Dragon) powered “Wildfire,” opens the door to the remaining 8 Tracks that follow.
Sampha continues to shine on “Something Goes Right,” and “Trials Of The Past,” giving this electronically album more of an classic (read not today’s sex and pop driven R&B) R&B and downbeat feel.
Highlights: the aforementioned “Hold On,” the Yukimi fueled “Widfire,” “Pharoahs,” and “Heatwave.”
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.
I think I creeped this girl out trying to sneak a shot.
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.
“…like I said before, the fact that you’re still giving her attention…allows her to be comfortable, complacent, and able to take you for granted. She’s not going to do anything until she has to…”
This idea/story was inspired in my mind while in the car and Little Dragon’s “Stormy Weather,” began to play.
The patter of the rain drops ricocheted off of the panel windows of our hotel room. I peered over and watched your uneven respiration as the New York sky was hidden by dark clouds and torrential downpour. The sweat beads were still fresh and sparsely sat atop your long neck. Your neck of a model always mesmerized me, and still did. I gazed upon your back running into your legs, and the sweet way they all connected. We had wasted time, not experiencing this, and though the future sat behind a murky cloud, again, we couldn’t say that we had not tried. Your creamy beautiful skin, still supple and sun kissed as you recovered from what seemed longer than a couple of hours ago. I sat thinking of the things I had missed, you in my hands. The way you wrapped your arms around me, tight, unwilling to relent. I heard your sound, and finally breathed your scent. Continue reading →