Hip-Hop Quotable Wednesdays – Pulitzer Prize Kendrick Lamar feat Rihanna – “LOYALTY.” C Week

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1986, 1987, 1988, 2017, 2018, Ab-Soul, Aftermath, Alternative, Anderson .Paak, Atlanta, Barbados, Black, Black Hippy, Black Panther, Black Panther Soundtrack, Bloody Waters, Blue Hurt, Blue Lines, Blue Lines Blog, Brandon Paak Anderson, Breezy Lovejoy, California, Carson, Chapel Hill, Compton, Dacoury Natche, DAMN, Def Jam, Def Jam Recordings, Del Amo, Digi+Phonics, DJ Dahi, drums, electronic, Enfield, England, experimental Hip-Hop, Ferrari, Footprints, Funk, Georgia, Glock, Hail Mary, Harmonimix, Herbert Stevens IV, Hip-Hop, Hip-Hop Music, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Interscope, Jamaica, James Blake, James Litherland, Jazz, jazz fusion, Kendrick Duckworth, Kendrick Lamar Duckworth, Key Yemaya Walker, keyboard, Keypsiia, Keypsiia Walker, Keypsiia Yemaya Walker, Killmonger, Korean, Kung Fu Kenny, London, Los Angeles, Mark Spears, Marvel, Marvel Cinematic Universe, MCU, North Carolina, One-Take Blake, Oxnard, percussion, piano, Pop-Rap, post-dubstep, Pulitzer Prize, R&B, Ralph's, Rapper, Rihanna, Robin Hannibal, Robin Hannibal Mølsted Braun, Robyn Rihanna Fenty, Roc Nation, songwriter, Soul, Soundtrack, Sounwave, Stones Throw, synthesizer, T'Challa, Terrace Jamahl Martin, Terrace Martin, The Lox, Top Dawg, Top Dawg Entertainment, UNC, UNC Chapel Hill, United Kingdom, United States, Universal Music Publishing Group, University of North Carolina at Chapel Hill, Vocals, Zacari

Last years glo-up, Pulitzer Prize winning artist and album (2018).
[DJ Dahi:]
I said I’m geeked and I’m fired up (fired, fire)
All I want tonight is just get high up (high, high, high)
Girl, you look so good, it’s to die for (die for)
Ooh, that p—y good, it’s to die for (on fire)

[Kendrick Lamar & Rihanna:]
It’s a secret society
All we ask is trust
(All we ask is trust)
All we got is us
Loyalty, loyalty, loyalty
Loyalty, loyalty, loyalty

[Kendrick Lamar:]
Kung Fu Kenny now
My resume is real enough for two millenniums
A better way to make a wave, stop defendin’ them
I meditate and moderate all of my wins again
I’m hangin’ on the fence again
I’m always on your mind
I put my lyric and my lifeline on the line
And ain’t no limit when I might shine, might grind
You rollin’ with it at the right time, right now
(Only for the dollar sign)
[https://youtu.be/Dlh-dzB2U4Y]

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Cover Sundays – D’Angelo – “She’s Alway In My Hair” Prince Cover Blue Lines Blog Outside Lands Week 2015

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1985, 2015, Around The World In A Day, Atlanta, Blue Hurt, Blue Lines, Blue Lines Blog, Blue Lines Blog Outside Lands Week, Chicago, Cover, Cover Songs, Cover Sundays, Covers, D'Angelo, Funk, Georgia, jazz fusion, Key Yemaya Walker, keyboards, Keypsiia Walker, Michael Eugene Archer, Minneapolis, Minnesota, neo soul, Neo-psychedelia ·, Outside Lands, Paisley Park, Prince, Prince logo.svg ·, Prince Roger Nelson, Psychedelic pop, Raspberry Beret, Richmond, Sacramento, San Francisco, Scream 2, She's Always in My Hair, Singer-songwriter, Soul, Sutro, The artist formerly known as Prince, UNC, UNC Chapel Hill, United States, University of North Carolina at Chapel Hill, Virginia

The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

Hip-Hop Quotable Wednesdays – Common feat Kanye West and John Legend – “They Say”

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2005, actor, Atlanta, Be, Blue Lines, Blue Lines Blog, Chicago, Common, Common Sense, fashion designer, film director, Georgia, good music, hip hop soul, Hip-Hop, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Illinois, jazz fusion, jazz-rap, John Legend, John Roger Stephens, Kanye, Kanye Omari West, Kanye West, Key Yemaya Walker, keyboards, Lonnie Lynn, Lonnie Rashid Lynn Jr., May, music, music video director, neo soul, Ohio, percussion, quiet storm, R&B, Rapper, record producer, sampler, Singer, songwriter, Sony Music Studios, Soul, Spoken Word, Springfield, synthesizer, United States, Warner Bros., Writer

[Chorus: John Legend]
They say “What’s happenin’?”
We say the facts and if, they lie…
We comin’ back for them
They might say… but they don’t know!
(They say, They say…)
They don’t knowwwww

[Verse 1: Common]
They say a n—a lost his mind
But in the scheme of things I never lost a rhyme
The thin line between love and hatred
I’m the black pill in the Matrix, the saturated life
They say life is what you make it
So I wait quick on a spaceship so I can take it
As high as the stakes get when paper get low
I be tellin Derick, “Tell Kara get us a show”
Little Com, I make righteous bitches get low

Music Mondays – Frank Ocean feat Andre 3000 – “Pink Matter”

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3000, alternative hip hop, André Lauren Benjamin, Andre 3000, Andre 3K, Andre Benjamin, Atlanta, Benjamin André, Blue Lines, Blue Lines Blog, blues, California, Christopher Breaux, Christopher Francis Ocean, Def Jam, Dookie Blossum Gain the 3rd, Dré, drum and bass, Frank Ocean, Funk, Georgia, Ice Cold, James Ho, James Ryan Ho, jazz fusion, Johnny Vulture, Key Yemaya Walker, Long Beach, Louisiana, music, Music Mondays, New Orleans, Odd Future Records, OFWGKTA, Pink Matter, pop, Possum Aloysious Jenkins, Rapper, rock, Singer-songwriter, southern hip hop, The Island Def Jam Music Group, Three Stacks, U.S.

The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

Cover Sundays – Esperanza Spaulding ft The Roots – “I Can’t Help It” Live – Michael Jackson Cover

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?uestlove, African American, Ahmir Khalib Thompson, Ahmir Questlove Thompson, alternative hip hop, alternative rock, Atlanta, bandleader, bass guitar vocals, Black Thought, Blue Lines, Blue Lines Blog, bossa nova, BROther ?uestion, Brother Question, composer, Cover Sundays, Def Jam, Def Jam Recordings, DGC, educator, Esperanza Spaulding, Festival Pier at Penn's Landing, Funk, Heads Up International, hispanic, Hush, Interscope-Geffen-A&M, James Poyser, Jazz, jazz fusion, jazz-rap, Joe Lovano, Key Yemaya Walker, MCA, Merge, Michael Jackson, Montuno, music, musician, neo soul, Off The Wall, Oregon, PA, Patti Austin, Pennsylvania, Philadelphia, Photo Care of Carlos Pericas, Portland, Portuguese, Qlove, Questlove, Questo, Radio Music Society, Soul, Stanley Clarke, Stevie Wonder, The Roots, The Roots Picnic 2011, U.S., Upright bass, Vocals

CUTE Women with AFROS!!!


Photo Care of Carlos Pericas
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

Music Mondays – Phil Collins – “One More Night”

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1980's, 1985, 80's Music, Atlanta, Atlantic, big band, Blue Lines, Blue Lines Blog, England, Hounslow, Hugh Padgham, jazz fusion, Key Yemaya Walker, London, London and Old Croft, music, Music Mondays, No Jacket Required, Phil Collins, Philip David Charles Collins, pop, Pop rock, progressive rock, R&B, rock, soft rock, Surrey, The Townhouse, Virgin

The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.