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Hip-Hop Quotable Wednesdays – Jay-Z feat The Notorious B.I.G. – ” Brooklyn’s Finest”

13 Wednesday Jan 2016

Posted by bluelineswork in Hip-Hop Quotable Wednesdays

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1996, Biggie Smalls, Blue Hurt, Blue Lines, Blue Lines Blog, Brooklyn, Brooklyn's Finest, Christopher George Latore Wallace, Christopher Wallace, Hip-Hop, Hip-Hop Music, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Key Yemaya Walker, Keypsiia, Keypsiia Walker, Keypsiia Yemaya Walker, Marcy Projects, New York, New York City, Rapper, Reasonable Doubt, Roc-A-Fella, Roc-A-Fella Records, Sean Carter, Shawn Carter, Shawn Corey Carter, The Notorious B.I.G.

[Pain In Da Ass]
[gunshots] OKAY, I’M RELOADED!!!
You motherf–kers, think you big time?
F–kin with Jay-Z, you gon’ die, big time!
Here come the “Pain”! [gunshots]

[Jay-Z]
Jigga… (Jigga), Bigga… (Bigga)
N—a, how you figure… (how you figure)
Yeah, yeah, yeah, aiyyo

Peep the style and the way the cops sweat us (uh-huh)
The number one question is can the Feds get us (uh-huh)
I got vendettas in dice games against ass betters (uh-huh)
and n—az who pump wheels and drive Jettas
Take that witcha..
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Hip-Hop Quotable Wednesdays – Jay-Z “Hey Papi”

30 Wednesday Dec 2015

Posted by bluelineswork in Hip-Hop Quotable Wednesdays

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2000, Amil, Amil Kahala Whitehead, Blue Hurt, Blue Lines, Blue Lines Blog, Brooklyn, California, Chapel Hill, Def Jam, Def Jam Recordings, Eddie Murphy, Hey Papi, Hip-Hop, Hip-Hop Music, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Jay-Z, Key Yemaya Walker, Keypsiia, Keypsiia Walker, Keypsiia Yemaya Walker, Malik Cox, Marcy Projects, Memphis Bleek, music, New York, New York City, Norfolk, Nutty Professor II: The Klumps, Nutty Professor II: The Klumps (soundtrack), Sacramento, Shawn Carter, Shawn Corey Carter, Timbaland, Timothy Mosley, Timothy Zachery Mosley, UNC, UNC Chapel Hill, University of North Carolina at Chapel Hill, Virginia

Feeling late 90’s on this one.

[Timbaland (Jay-Z)]
All my mamis bounce, uh
(Yeah, yeah, yeah, yeah, yeah, yeah)
(Come on)
I said all my mamis bounce
(Yeah, yeah, yeah, yeah, yeah, yeah)
(Bounce with me)
I said all my mamis bounce
(Yeah, yeah, uh, uh, uh yeah-yea-yeah, yeah-yea-yeah)
(Come on)
I said all my mamis bounce
(Yeah, yeah, yeah, yeah, yeah, yeah, yeah-yeah)
Freaky-freaky…

[Jay-Z]
Ay yo I got a resolution
This year I’m playing right
No six fifteen this year
You can stay the night
We can go bowling it ain’t like before
Can’t y’all see that I’m growing?
I was so immature
I was young and having money
Having honeys come to the crib
Thinkin’ they s–t and they couldn’t get cab money from me
Some bad chicks didn’t get pass the bridge
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Blue Lines Blog – Album Review – Watch The Throne – Jay-Z and Kanye West

10 Wednesday Aug 2011

Posted by bluelineswork in Blue Lines

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Tags

Album Review, Angie Martinez, Atlanta, Bad Boy Records, Beyonce, Big Daddy Kane, Blue Lines, Blue Lines Blog, Bridgeport, Connecticut, Jay-Z, Kanye West, Key Yemaya Walker, Lonnie Liston Smith, Marcy Projects, Myla Wyndham, New Jersey, New York, OutKast, Q-Tip, Ralph McDaniels, Sean Carter, Show & Prove, Shyheim, The Notorious B.I.G., Tracey Lee, Watch the Throne

It was a late fall day in Bridgeport, Connecticut listening to Angie Martinez on Hot 97 in New York. The days were short, and the sun began to set in the gritty northeastern city around 4 pm, just before the end of class, but making it very dark before dinner. Night I vaguely remembered from a childhood stint in New Jersey. At the time Wu-Tang still ran the local airwaves, along with Biggie and Bad Boy remixes. I infected the campus with the hometown sounds of Outkast, but this night, the light piano of Lonnie Liston Smith’s “A Garden of Piece,” wrapped this amazing opus from an unknown artist we had last seen on an appearance on Big Daddy Kane’s “Show & Prove.” Believe me I know, being a Wu-Tang fan from high school, I knew tracks they or affiliates, Shyheim, appeared on.

Again, I first heard the amazing “Dead President’s” which eventually accompanied the B-Side track, “Ain’t No,” closed out my tenure in school up north, as I thought I was listening to another underground regional artist the likes of Tracey Lee, Akinyele, etc. my homegirl waited, as I affected, sat and listened to the entire track, likely penning something as we most likely left her room, my hideout, before eventually landing at Famous Pizza.

Later, he would release an album, I heard that Biggie had appeared on the track, and my friend Myla Wyndham who was a buyer at Tower Records told me he was coming to the store. As a good friend and I attended, we walked past the empty table, scanned the album, laughed and then waving to her, I left, knowing I would see her during another visit. Little did I know.

Beginning school again in Atlanta, I befriended a pure Atlanta resident, who would play, “Reasonable Doubt,” nonstop. It was then that my appreciation grew for this unheralded artist. At this same school, I would meet the same girl that our conversation consisted of, the obvious as Reasonable Doubt played in her car as she dropped me off at Marta.
“Do you like Jay-Z?” I tried to break the ice.
“Yes,” she simply stated.
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