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Music Mondays – The Roots Feat Cody ChestnuTT – “The Seed (2.0)”

09 Monday Nov 2015

Posted by bluelineswork in Music Mondays

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2003, Ahmir Khalib Thompson, Ahmir Thompson, Atlanta, Black Thought, Blue Hurt, Blue Lines, Blue Lines Blog, California, Captain Kirk Douglas, Cody Chesnutt, Damon "Tuba Gooding Jr." Bryson, Def Jam, England, experimental Hip-Hop, Frank "Knuckles" Walker, Georgia, Hip-Hop, James Poyser, Kamal Gray, Key Yemaya Walker, Keypsiia Walker, Kirk Douglas, Mark Kelley, MCA, Music Mondays, neo soul, Pennsylvania, Philadelphia, Phrenology, psychedelic soul, Questlove, R&B, rock, Sacramento, Sheffield England, Tariq Luqmaan Trotter, The Fifth Dynasty, The Legendary Roots Crew, The Roots, The Square Roots, The Tonight Show Band


  
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

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Hip-Hop Quotable Wednesdays – Genius/GZA – “Labels”

21 Wednesday Oct 2015

Posted by bluelineswork in Hip-Hop Quotable Wednesdays

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1995, 4th & Broadway, Abbot, AM, Arista, Atco, Atlanta, Atlantic, Blue Hurt, Blue Lines, Blue Lines Blog, Bobby Digital, Brooklyn, California, Cold Chillin', Columbia, Def Jam, Eastwest, Emerge, Epic, Gary Grice, Geffen, Genius, Genius/GZA, Georgia, GZA, Hip-Hop, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Island, Key Yemaya Walker, Keypsiia Walker, Labels, Liquid Swords, Loud, MCA, Mercury, Motown, New York, New York City, Next Plateau, Pendulum, Platinum, Prince Rakeen, Profile, Rapper, RCA, RIAA, Robert Fitzgerald Diggs, Rush Associated Labels, RZA, Sacramento, songwriter, The Genius, The RZArector, Tommy Boy, Tuff City, UNC, UNC Chapel Hill, United States, University of North Carolina at Chapel Hill, Uptown, Venus, Warner Bros., Warner Brothers, Wild Pitch, Wu-Tang, Wu-Tang Clan

[Intro: RZA]
Lot of people, you know what I’m saying, they be getting misinformed
Thinking everything is everything, that you could just get yourself
A little deal, whatever, youknowhati’msayin you gonna get on you
Gonna get rich. and all these labels be trying to lure us in like
Spiders, into the web, knowhati’msaying. so sometimes people gotta
Come out and speak up, and let people understand, that you know you
Gotta read the label you gotta read the label if you don’t read the
Label you might get poisoned…

[Genius:]
Tommy ain’t my motherf–kin’ Boy
When he fake moves on a n—a you employ
Well I’ll Emerge off ya set, now ya know God damn
I show living large n—az how to flip a Def Jam
And Ruff up the motherf–kin’ House
Cause I smother you Cold Chillin’ mother f–kers are still Warner Brothers
I’m ruthless my clan don’t have to act wild
That s–t is Jive, an old sleeping Bag/Profile
This soft comedian rap s–t ain’t the rough witty
On the reel to reel it wasn’t from a Tuff City
N—as be game, thinking that they lyrical surgeons
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Hip-Hop Quotable Wednesdays – Beastie Boys feat Q-Tip – “Get It Together (A.B.A. Remix)”

06 Wednesday Nov 2013

Posted by bluelineswork in Blue Lines

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1994, A Tribe Called Quest, A.B.A. Remix, Abednego, Abstract, Ad-Rock, Adam Horovitz, Adam Keefe Horovitz, Adam Nathaniel Yauch, Adam Yauch, Adrock, alternative hip hop, Aquarius/Let the Sunshine In, Arista, Atwater Village, bass, bass guitar, Battery, Beastie Boys, Bell Communications, Biz Markie, Bloach, Blue Lines, Blue Lines Blog, Brooklyn, Buddhist, Capitol, Capitol/Grand Royal, Chachi, Country Mike, Def Jam, Director, disc jockey, DJ, Drummer, drums, Eugene McDaniels, Evan Bernard, Farmers Blvd, film distributor, G-Son Studios, Get It Together, Get It Together (A.B.A. Remix), good music, Grand Funk Railroad, Grand Royal, guitar, Guitarist, Happy Days, hardcore punk, Headless Heroes, Hip-Hop, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Ill Communication, Ione, Ione Skye, jazz-funk, jazz-rap, Jewish, Jive, Joanie, Joanie Loves Chachi, John Holmes, John Starks, Jonathan Davis, Kamaal Ibn John Fareed, Key Yemaya Walker, keyboards, King Adrock, Ma Bell, Manhattan, Mario Caldato Jr, MC, MC Love Child, MCA, Meshach, Michael Diamond, Mike D, Moog, Moog Machine, music, musician, Nathanial Hörnblowér, Native Tongues, Native Tongues Posse, New York, New York City, New York Knicks, Nothing Is the Same, NY, percussion, Piano/keyboards, Q-Tip, Queens, Queens New York, Rap rock, rapcore, Rapper, Rapping, Rat Cage, record producer, Sabotage / Get It Together, Shadrach, sitar, songwriter, Sp-1200, St. Albans, The King of Lunch, Tin Pan Alley, Turntables, U.S., United States, Universal Motown, US, USA, Vassar College, Vocals, Young and the Useless

[Q-Tip]
One-two, one-two, keep it on
Listen to the s–t because we kick it ’til dawn
Listen to the Abstract, got it going on
Listen to the ladies, come on and let me spawn
On your eggs, then you go up the river
Listen to the abstract, that freaky n—a

[Ad Rock]
Now I’m Ad Rock and I shock and I tick and I tock
And I can’t stop with the body rock

[Mike D]
See, I’ve got heart like John Starks
Hitting mad sparks
Pass me the mic and I’ll be rockin’ the whole park

[MCA]
Well, I’m the M to the C to the A and it’s a must
The rhymes that we bust on the topic of lust

[Q-Tip]
And my Moms is not butt, but f–k it
Let me get down to the rhythm
Yes, I get funky and I’m shooting all my jism
Like John Holmes, the X-rated n—-r
Listen to the s–t cause I am the ill figure
Nobody’s getting any bigger than this

*Get it together*
Get…
Phone is ringing, oh my God
*Get it together, see what’s happening*

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Hip-Hop Quotable Wednesdays – Eric B & Rakim – “Microphone Fiend”

09 Wednesday Oct 2013

Posted by bluelineswork in Hip-Hop Quotable Wednesdays

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1988, Alan Edward Gorrie, Average White Band, Blue Lines, Blue Lines Blog, Eric B, Eric B & Rakim, Eric Barrier, Follow The Leader, Hip-Hop Quotable Wednesdays, Key Yemaya Walker, Malcolm Duncan, MCA, Microphone Fiend, Owen McIntyre, Rakim, Rakim Allah, Roger Dale Ball, School Boy Crush, Steve Ferrone, Stuart Hamish, William Griffin

I was a fiend before I became a teen
I melted microphone instead of cones of ice cream
Music orientated so when hip-hop was originated
Fitted like pieces of puzzles, complicated
’cause I grabbed the mic and try to say, ” yes y’all!”
They tried to take it, and say that I’m too small
Cool, ’cause I don’t get upset
I kick a hole in the speaker, pull the plug, then I jet
Back to the lab …without a mic to grab
So then I add all the rhymes I had
One after the other one, then I make another one
To dis the opposite then ask if the brother’s done
I get a craving like I fiend for nicotine
But I don’t need a cigarette, know what I mean?

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Cover Sundays – Limp Bizkit – “Behind Blue Eyes” The Who Cover

18 Sunday Aug 2013

Posted by bluelineswork in Blue Lines

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1971, 2003, Alternative metal, alternative rock, art rock, Blue Lines, Blue Lines Blog, California, Cover Sundays, Decca, DJ Lethal, England, Flip, Florida, Fred Durst, Gastonia, Glyn Johns, Gothika, Halle Berry, hard rock, Interscope, Jacksonville, John Entwistle, John Otto, Keith Moon, Key Yemaya Walker, Lifehouse, London, Los Angeles, MCA, Mike Smith, music, North Carolina, nu metal, Olympic Studios, Pete Townshend, Polydor, power pop, progressive rock, protopunk, Psychedelic rock, rap metal, Reaction, Results May, Rick Rubin, Rob Waters, rock, Roger Daltrey, runswick, Sam Rivers, Speak & Spell, Terry Balsamo, Terry Date, The Who, Track, United States, Warner Bros., Wes Borland, Who's Next


Halle Behind
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

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Hip-Hop Quotable Wednesdays – GZA/Genius feat Inspectah Deck & D’Angelo – “Cold World (RZA Remix)”

21 Wednesday Nov 2012

Posted by bluelineswork in Hip-Hop Quotable Wednesdays

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1995, 1996, 4th Disciple, actor, Allah Justice, Angeles Records, Babygrande, Blue Lines, Blue Lines Blog, Brooklyn, Cold Chillin', Cold World, Cold World (RZA Remix), D'Angelo, Dot Da Genius, East Coast Hip-Hop, Frank Zappa, Gary Grice, Geffen, Geffen Records, Geffen/MCA, Genius/GZA, GZA, GZA Entertainment, hardcore hip hop, Hip-Hop, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, In The Rain, Inspectah Deck, Jason Hunter, JUSTICE, Key Yemaya Walker, Koch, Life, Liquid Swords, Loud, Lyricist, Maximillion, MCA, Michael Eugene Archer, music, New York, New York City, Park Hill Projects, Plastic People, Producer, Rapper, Relativity, Rocket Love, RZA, songwriter, SRC, Staten Island, Stevie Wonder, The Bronx, The Dramatics, The Genius, the Head, traffic, United States, Universal Republic, Urban Icon, Wu-Tang Clan

Intro: (first three lines LP only)

I had a bad dream
Don’t be afraid, bad dreams are only dreams
What a time you chose to be born in…

Babies crying brothers dying and brothers getting knocked
S–t is deep on the block and you got me locked down
in this cold, cold world…

Verse One: The GZA

It was the night before New Year’s, and all through the f–kin projects
Not a handgun was silent, not even a Tec
Outside as I’m stuck, by enemies who put fear
and blasted on the spot before the pigs were there
You know hoods robbers snipers new in sight f–k blue and white
They escape before them flash the f–kin lights
Gunshots, shatter first floor window panes
Shells hit the ground and blood stained the dice game
Whether broke callisthenic, any style you set it
Beat n—az toothless, physically cut up like gooses
But with iron on the sides thugs took no excuses
Therefore, your fifty-two handblocks was useless
Links was snatched off necks, scars on throats
Jackets took, after bullet rips through coats
Against those who felt the cold from the steel made em fold
and squeal, once the metal hit the temple of his grill
Destruction worker, who was caught for his bomber
No time to swing the hammer that was hangin from his Farmer’s
And it’s bugged how some n—az catch slugs

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Hip-Hop Quotable Wednesdays – The Roots – “You Got Me”

17 Wednesday Oct 2012

Posted by bluelineswork in Blue Lines

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1999, activist, Actress, Ahmir Khalib Thompson, Ahmir Questlove Thompson, alternative hip hop, alternative rock, Captain Kirk Douglas, Common, Dallas, Dame DAsh, Def Jam, DGC, Dice Raw, DJ, Drummer, Erica Abi Wright, Erica Wright, Erykah Badu, Eve, Funk, Grammy Award for Best Rap Performance by a Duo or Group, Hip-Hop, Hub, Interscope-Geffen-A&M, Jazz, jazz-rap, Josh Abrams, journalist, Kamal Gray, Leonard "Hub" Hubbard, Malik B., MCA, MCA Records, neo soul, Okayplayer, Pennsylvania, Philadelphia, Questlove, R&B, Rahzel, Rapper, record producer, Ruff Ryders, Singer-songwriter, Soul, Tariq "Black Thought" Trotter, Tariq Trotter, Texas United States, The Black Thing, The Fifth Dynasty, The Grand Wizzards, The Legendary Roots Crew, The Roots, The Square Roots, Things Fall Apart, U.S., You Got Me

[Featuring Erykah Badu]
[Chorus] x 2
(Erykah Badu)
If you were worried ’bout where
I been or who I saw or
what club I went to with my homies
baby don’t worry you know that you got me
[Verse 1]
(Black Thought)
Somebody told me that this planet was small
we use to live in the same building on the same floor
and never met before
until I’m overseas on tour
and peep this ethiopian queen from philly
taking classes abroad
she studying film and photo flash focus record
said she workin on a flick and
could my click do the score
she said she loved my show in paris
at Elysee Montmartre
and that I stepped off the stage
and took a piece of her heart
we knew from the start that
things fall apart, intentions shatter
she like that sh-t don’t matter
when I get home get at her
through letter, phone, whatever
let’s link, let’s get together
sh-t you think not, think the Thought went home and forgot
time passed, we back in philly now she up in my spot
tellin me the things I’m tellin her is makin her hot
startin buildin with her constantly round the clock
now she in my world like hip-hop
and keep tellin me

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Music Mondays – Frou Frou – “The Dumbing Down Of Love”

20 Monday Aug 2012

Posted by bluelineswork in Blue Lines

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2002, ambient, array mbira, Atlanta, Blue Lines, Blue Lines Blog, California, Celesta, cello, clarinet, Clavichord, details, downtempo, dream pop, drums, Dumb, electronic, Electronica, England, folktronica, guitar, Guy Sigsworth, Hang, harpsichord, Havering, Ilkley, Imogen Heap, Imogen Jennifer Jane Heap, India, Island Records, Joel Peissig, Jon Hassell, Key Yemaya Walker, keyboards, keytar, London, Los Angeles, Love, MCA, Monday, Mumbai, music, Music Mondays, nail violin, organ, rock, Sacramento, sampler, San Francisco, Simple, synthesizer, trip hop, United Kingdom, Universal Records, vocal percussion, Vocals, vocoder, West Yorkshire, women



The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

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New To You Music Sundays – Bobby Womack – “Whatever Happened To The Times?”

29 Sunday Jul 2012

Posted by bluelineswork in New To You Music Sundays

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12 Years, 1944, 2012, Beverly Glen Music, Blue Lines, Blue Lines Blog, Bobby Womack, Castle, Checker, Cleveland, Cloud Of Unknowing, Columbia, country soul, Damon Albarn, deep soul, doo-wop, Funk, Gorillaz, gospel, guitar, him, Indigo Records, instrumentalist, Jamie-James Medina, Jazz, Key Yemaya Walker, London, March 4, MCA, Minit, music, musician, New To You Music Sundays, New York, Ohio, Pennant, Producer, R&B, Richard Russell, Robert Dwayne Womack, rock, Rock and roll, SAR, sideman, Singer-songwriter, Solar, Soul, soul blues, The Bravest Man In The Universe, The Gorillaz, The Right Stuff, United Artists, United States, Vocals, Whatever Happened To The Times, XL Recordings, Yusuf Pirhasan

Powerful and haunting. Reminiscent of The Gorillaz “Cloud Of Unknowing.” It struggled not to post this instantly once I came across it.


The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

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Blue Lines Blog – Happy Independence Day – Jimi Hendrix – “Star Spangled Banner”

04 Wednesday Jul 2012

Posted by bluelineswork in Blue Lines

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1780, 1814, 1931, 1965, 1969, 4th of July, Band of Gypsys, Barclay, bass, Bethel, Blue Lines, Blue Lines Blog, blues rock, Capitol, Curtis Knight, Francis Scott Key, guitar, Gypsy Sun and Rainbows, hard rock, Independence Day, James Marshall Hendrix, Jimi Hendrix, John Stafford Smith, Johnny Allen Hendrix, Key Yemaya Walker, Little Richard, MCA, music, Music Festival, musician, National Anthem, New York, Polydor, Psychedelic rock, record producer, recording studio entrepreneur, Reprise, RSVP, Seattle, Singer-songwriter, the Blue Flame, The Isley Brothers, The Jimi Hendrix Experience, The Star-Spangled Banner, Track, United States of America, US, Vee-Jay, Vocals, Washington, White Lake, Woodstock, Woodstock Music Festival



The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

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