The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.
Oh-oh, oh-oh, oh-oh Oh-oh, oh-oh, oh-oh, oh Hold, hold onto each other Hold, hold onto each other (This is what the world sounds like) Nah, f–k you, n—a
You got me f–ked up F–k you, f–k you
I swear, I’m tired of these emotional ass, ungrateful ass b—hes (shut the f–k up) Unstable ass, confrontational ass dumb b—hes You wanna bring a n—a down even when I’m tryna do right We could go our separate ways right now You could move on with your life, I swear to God
F–k you n—a, you love a pity party, I won’t show up Always act like your s–t don’t stink, motherf–ker, grow up Forever late for s–t, won’t buy s–t, sit around and deny s–t (man) F–k around on a side b—h, then come f–kin’ up my s–t What? F–kin’ up yo’ s–t? You must be bleedin’ and more s–t B—h, I don’t know s–t, f–k yo’ feelings (you some on h-e s–t)
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.
10/11/16
What is love,
I remember being enamored,
Idealistic thoughts of your youthful beauty,
Wondering what it was for your touch, Continue reading →
The WordPress.com stats helper monkeys prepared a 2012 annual report for this blog.
Here’s an excerpt:
4,329 films were submitted to the 2012 Cannes Film Festival. This blog had 41,000 views in 2012. If each view were a film, this blog would power 9 Film Festivals
A “Best of… Foto Fridays” Essay of 2012’s Music Festival travels.
2012 Ranking:
1) Coachella Valley Music and Arts Festival (Empire Polo Club, Indio, CA)
2) Music Midtown (Piedmont Park, Atlanta, GA)
3) Outside Lands: Music, Food, Wine, Beer, Art (Golden Gate Park, San Francisco, CA)
A combination of Porta-Potties, Hot sun, VIP Showers, compressed hot bodies, cold, fog, band reunions, amazing covers, crowd surfing, 90’s classics, dirt, dubstep, car camping, road trips, bad artist scheduling, vacation, plane flights, MARTA, BART, gravel, fun!
A super-hot weekend in the California desert where NBA Basketball jerseys seemed to be the uniform, water was the best thing, and music was unbelievable. Enjoy.
San Francisco’s Outside Lands Festival is one that combines music, food and arts into a weekend playing out at Golden Gate Park.
Based on last year’s lineup, it was virtually a no brainer. This year’s lineup, though, included headliners who were more established and had decades of success. Stevie Wonder rounded out a group including Metallica, and Neil Young. The major highlight was Foo Fighters Friday performance on the Land’s End stage, where they performed Aurora, from the 1999 album There Is Nothing To Lose. Dave Grohl stated that they performed it especially for Outside Lands, and it was speculated that they added it to their setlist due to the recent tragedy in Aurora, Colorado. Again, Foo Fighters were the shining star of the weekend, spending time listening to my favorite band for the first time, with a fave.
Using Coachella as a measuring stick, the pros were definitely the cooler weather, though by Sunday night the fog easily made one glad that the event was ending. The app was definitely better, and the spacing of the stages was tremendously better than Coachella, where I remember rocking to The Black Keys on the Coachella Stage, and during breaks in play, I heard Explosions In The Sky (who I got to see at OLF) playing on the Outdoor Theatre which was steps away. Only two stages (Twin Peaks Stage and the Panhandle Stage) closely bordered each other at OLF. However, the sets that neatly fit between the hours of 12 noon until 10 left you wanting for more, and the commute back and forth was taxing, as opposed to walking back to your tent and crashing.
Coachella’s car camping, and sets that ran well into the wee hours of the night, morning…take your pick, were a definite added bonus. Also, the diversity of Coachella’s acts compared to Outside Lands 2012 were a bonus that ranked Coachella higher. Other than a sprinkling of Atlanta’s (yeah) Big Boi (likely making up his set from 2011) and a lack luster Santigold set (she killed her set at Coachella in the heat with her energy, but she has me NOT anticipating her Atlanta debut next month), most other acts were similar in genre and nothing really separated the acts.
Listening to people I ran into after the festival, who had been to Coachella, Outside Lands, Bonaroo, and some others, they were not as high on this year’s OLF, due to the lineup, length of show, and the crowds (that they said were the biggest they had seen) though reports said after a certain point fans rushed the entrances and jumped the gates (which would explain why people were running/pushing there way through the crowds.
I cannot rate the festival, simply because on this level, I have been to two, and with the exception of the Foo Fighters, I had seen Neil Young, Stevie Wonder, and Metallica in their own shows prior to this festival.
I am glad that I was able to enjoy the festival. Would I go again, and go without knowing the lineup, yeah, I’d do it, hopefully it will mirror 2011 more than 2012. Just change some of the particulars to better fit the fun.
Blue Lines Blog 