The echo of silence in my mind is deafening,
Surrounded by the inadequacies of others, that they try to place on you,
The shrinking of your life, for their gain,
Their solace, Continue reading →
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.
Yeah, original crooks, original heads. We doin’ it like this
Word up!
I woke up in the morning, hopped on a train I saw my man
He had an L in his hand, hide it from the beast
At least I catch a bus before I hit my block
I take a mega hit frontin’ on the good chip lollipop
Move the hop so I can put the hip in the grip
Everybody slip so I can take a trip to the dip
Dig a deeper hole microphone control with soul
Look at my hot eye’s tell me how could you be cold
I’m coming to you from the underground, with a thunder sound
#1 question, “Yo how can I be down?” Continue reading →
[Big Boi] Yeah.. ATLiens style on y’all ass
[K. Mike] DO OR DIE, AQUEMINI
[K. Mike] Killer Mike, Roc-A-Fella collaboration – holla!
[Y. Hova] Young Hov’ in the place to be
[Y. Hova] Big Boi in the place to be (Young)
[Y. Hova] Andre 3000 (cash) shout out to public housin (b—h)
[Y. Hova] I brought (holla) the whole hood with me
[Big Boi] You got red dirt in your afro
[Y. Hova] Young Hov’ in the place to be (yeah)
[Y. Hova] OutKast in the place to be (yeah) Continue reading →
[Verse 1]
I am Posdnous
I be the new generation of slaves
here to make papes to buy a record exec rakes
the pile of revenue I create
But I guess I don’t get a cut cuz my rent’s a month late
Product of a North Carolina cat
who scratched the back of a pretty woman named Hattie
Who departed life just a little too soon
and didn’t see me grab the Plug Tune fame
As we go a little somethin’ like this
look ma, no protection Continue reading →
Check it out now..
Word up Son, s–t is ill kid..
Knahmsayin? Bein that we livin the motherf–kin trife life
Don’t have another day right?
It’s only right
Let me put you on to what happens Son, never believe this s–t
Kick that s–t
[Prodigy]
It’s just another day, drownin my troubles with a forty
That’s when I got the call from this brownskin shorty
She asked me where’s my crew at? Said we could do whatever
She got her crew too, and said that we should get together
I said, “Aight — just call me back in a hour
so I can take a shower and gather up the manpower”
Then I hung up the horn
And I thought to myself that it might be on
Cause this trick ain’t pick up the phone to call me in years (Why?)
Ever since I left the hoe lonely in tears
Ain’t no tellin what her friends puttin up in her ears
Ideas of settin me up, I’m not tryin ta hear
(Check it out, Son) So we take the gats for precautions
Plus this trick live in Brooklyn, home of the coffin
She might got a whole batallion of Bucktowners
Waitin for us to get up off the train and surround us
Or maybe, I’m blowin this s–t out of proportion
But this s–t do happen, to n—az very often
So f–k it, a n—a gotta do what he meant to
My crew got my back, f–k the world is my mental
We put together five soldiers, the bitch called
My blood curdled, told me to meet her on Myrtle
Got to the plaza, we’re waitin for the G train
We put a plan together, just in case the beef came Continue reading →
[Killer Mike:]
I move with the elegance of an African elephant
I presented the evidence eloquent as the president
Evident is the emphasis, I deserve me a championship
But before I banana clip I’ma chill so my man can rip
[El-P:]
Little man against Hellion with the heart of an orphan
I got the words of a murderer and an eye for distortion
You take a slice of my portion, I’ll take a piece of your profit
I drive at illegal speeds, Keep an O.Z in my pocket Continue reading →
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.