Hip-Hop Quotable Wednesdays – Kanye West feat Kendrick Lamar – “No More Parties In LA”

Tags

2016, Atlanta, Blue Hurt, California, Chapel Hill, Chicago, Compton, Georgia, good music, Hip-Hop, Hip-Hop Music, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Illinois, inspiration, Kanye, Kanye Omari West, Kanye West, Kendrick Lamar, Kendrick Lamar Duckworth, Key Yemaya Walker, Keypsiia, Keypsiia Walker, Keypsiia Yemaya Walker, Los Angeles, music, No More Parties in LA, North Carolina, Rap, Rapper, Rapping, Sacramento, St. Pablo, The Life of Pablo, Top Dawg, UNC, UNC Chapel Hill, University of North Carolina at Chapel Hill

[Junie Morrison:]
La di da di da, da
I like this flavor
La di da di da, la
Let me tell you
I’m out here from a very far away place
All for a chance to be a star
Nowhere seems to be too far

[Kanye West:]
No more parties in LA
Please, baby, no more parties in LA, uh
No more parties in LA
Please, baby, no more parties in LA, uh
No more (Los Angeles)
Please (shake that body, party that bod-)
Please (shake that body, party that body)
Please (shake that body, party that body)

Hip-Hop Quotable Wednesdays – OutKast – “Elevators (Me And You)” Fitting with their Coachella Announcement

Tags

1996, 3000, actor, alternative hip hop, André "André 3000" Benjamin, André Lauren Benjamin, Andre 3000, Andre 3K, Andre Benjamin, Andre Patton, Antwan "Big Boi" Patton, Antwan André Patton, Antwan Patton, Arista, ATL, Atlanta, ATLiens, bass guitar, Benjamin André, Big Boi, Big Boi and Dre Present... OutKast, Blue Lines, Blue Lines Blog, Blue Lines Coachella Weekend, Blue Lines Coachella Weekend 2014, Blue Suede Shoes, Bosstown Recording Studios, Cadillac, Carl Perkins, Chung King Recording Studio, Coachella, Coachella 2014, Coachella Festival, Coachella Valley, Coachella Valley Music and Arts Festival, dancer, Decatur, Def Jam, Delowe, Dookie Blossom Gain the 3rd, Doppler Recording Studios, Dré, Earthtone Ideas, East Point, Elevators (Me & You), Funk, G-funk, Georgia, guitar, Halle Berry, Headland, Hip-Hop, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Ice Cold, Island/Def Jam, Jazz, Johnny Vulture, Key Yemaya Walker, keyboards, LaFace, LaFace Records, LaFace Records/Arista Records, Lithonia, Marta, Mr. DJ, music, musician, neo soul, Organized Noize, OutKast, OutKast/Earthtone Ideas, PatchWerk Recording Studio, Possum Aloysius Jenkins, Producer, Purple Dragon Studios, R&B, Rally's, Rapper, Rapping, Ray Murray, RCA, record producer, Rico Wade, Savannah, saxophone, Sir Lucious Left Foot, Sleepy Brown, songwriter, Sony Music, Soul, Sound On Sound Recording, southern hip hop, Studio LaCoCo, SWATS, Three Stacks, Tony Toni Tone, U.S., United States, USA, Vocals, Vogues

Atlanta’s Coachella 2014 Headliner

Verse One: Andre

One for the money yes uhh two for the show
A couple of years ago on Headland and Delowe
Was the start of somethin good
Where me and my n—a rodes the MARTA, through the hood
Just tryin ta find that hookup
Now everyday we look up at the ceiling
Watchin ceiling fans go around tryin ta catch that feelin
off instrumental, had my pencil, and plus my paper
We caught the 86 Lithonia headed to Decatur
Writing rhymes tryin ta find our spot off in that light
Light off in that spot, known that we could rock
Doin the hole in the wall clubs, this s–t here must stop
Like freeze, we makin the crowd move but we not makin no G’s
And that’s a no, no

Verse Two: Big Boi

Yeah, uhh, check it
Ahh one two, ahh one two doe, n—as
in the Cadillac they call us went from Player’s Ball to ballers
Puttin the South up on the map was like Little Rock to bangin
N—as say motherf–k that playin, they payin
We stay in layin vo-cals, locals done made it with them big boys
up in dis industry, Outkast yea dem n—az they makin big noise
Over a million sold to this day, n—az they take it lightly
Ninety-six gon be that year that all y’all playa haters can bite me
…around this b—h

Hip-Hop Quotable Wednesdays – Beastie Boys feat Q-Tip – “Get It Together (A.B.A. Remix)”

Tags

1994, A Tribe Called Quest, A.B.A. Remix, Abednego, Abstract, Ad-Rock, Adam Horovitz, Adam Keefe Horovitz, Adam Nathaniel Yauch, Adam Yauch, Adrock, alternative hip hop, Aquarius/Let the Sunshine In, Arista, Atwater Village, bass, bass guitar, Battery, Beastie Boys, Bell Communications, Biz Markie, Bloach, Blue Lines, Blue Lines Blog, Brooklyn, Buddhist, Capitol, Capitol/Grand Royal, Chachi, Country Mike, Def Jam, Director, disc jockey, DJ, Drummer, drums, Eugene McDaniels, Evan Bernard, Farmers Blvd, film distributor, G-Son Studios, Get It Together, Get It Together (A.B.A. Remix), good music, Grand Funk Railroad, Grand Royal, guitar, Guitarist, Happy Days, hardcore punk, Headless Heroes, Hip-Hop, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Ill Communication, Ione, Ione Skye, jazz-funk, jazz-rap, Jewish, Jive, Joanie, Joanie Loves Chachi, John Holmes, John Starks, Jonathan Davis, Kamaal Ibn John Fareed, Key Yemaya Walker, keyboards, King Adrock, Ma Bell, Manhattan, Mario Caldato Jr, MC, MC Love Child, MCA, Meshach, Michael Diamond, Mike D, Moog, Moog Machine, music, musician, Nathanial Hörnblowér, Native Tongues, Native Tongues Posse, New York, New York City, New York Knicks, Nothing Is the Same, NY, percussion, Piano/keyboards, Q-Tip, Queens, Queens New York, Rap rock, rapcore, Rapper, Rapping, Rat Cage, record producer, Sabotage / Get It Together, Shadrach, sitar, songwriter, Sp-1200, St. Albans, The King of Lunch, Tin Pan Alley, Turntables, U.S., United States, Universal Motown, US, USA, Vassar College, Vocals, Young and the Useless

[Q-Tip]
One-two, one-two, keep it on
Listen to the s–t because we kick it ’til dawn
Listen to the Abstract, got it going on
Listen to the ladies, come on and let me spawn
On your eggs, then you go up the river
Listen to the abstract, that freaky n—a

[Ad Rock]
Now I’m Ad Rock and I shock and I tick and I tock
And I can’t stop with the body rock

[Mike D]
See, I’ve got heart like John Starks
Hitting mad sparks
Pass me the mic and I’ll be rockin’ the whole park

[MCA]
Well, I’m the M to the C to the A and it’s a must
The rhymes that we bust on the topic of lust

[Q-Tip]
And my Moms is not butt, but f–k it
Let me get down to the rhythm
Yes, I get funky and I’m shooting all my jism
Like John Holmes, the X-rated n—-r
Listen to the s–t cause I am the ill figure
Nobody’s getting any bigger than this

*Get it together*
Get…
Phone is ringing, oh my God
*Get it together, see what’s happening*

Music Mondays – Norah Jones – “All A Dream”

Tags

2012, Actress, Adult contemporary, All a Dream, alternative hip hop, alternative rock, ambient, artist, Athens, bass, bass guitar, Beatboxing, Big Beat, Blue Lines, Blue Lines Blog, Blue Note, breakbeat, breakbeat hardcore, Brian Burton, Brian Joseph Burton, Brooklyn, California, Cee Lo, Cee-Lo Green, Country, Danger Mouse, DAW, Denton, drum and bass, drum machine, drums, Electro, Electro Vox Studios, Electronica, Folk, Folk rock, Geethali Norah Jones Shankar, Georgia, Gnarls Barkley, grime, guitar, Hip-Hop, indie rock, Jazz, Key Yemaya Walker, keyboards, Little Broken Hearts, lo-fi, Los Angeles, Mondo Studio, music, Music Mondays, music producer, musician, neo soul, neo-psychedelia, New York, Norah Jones, oldschool jungle, organ, percussion, piano, Piano/keyboards, Rapping, Ravi Shankar, roots rock, sampler, saxophone, Singer-songwriter, Sue Jones, synthesiser, synthesizer, Texas, trip hop, Turntable, U.S., United States, United StatesWhite Plains, USA, vocal jazz, Vocals, White Plains

The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

Hip-Hop Quotable Wednesdays – Big Boi feat A$AP Rocky and Phantogram – “Lines”

Tags

2012, A$AP Rocky, actor, Antwan André Patton, Antwan Patton, Atlanta, Big Boi, Billy Ocean, Blue Lines, Blue Lines Blog, Chief, Chris Carmouche, Daddy Fat Sax, December, Def Jam, Def Jam Recordings, Dungeon Family, East Point, Francis the Savannah Chitlin' Pimp, G-funk, General Patton, Georgia, Hip-Hop, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Hot Tub Tony, Jesus, Josh Carter, Key Yemaya Walker, keyboards, Lines, Manger, neo soul, Organized Noize, OutKast, Phantogram, Play Doh, Purple Ribbon, Purple Ribbon Records, R&B, Rakim Mayers, Rapper, Rapping, Raymond Murray, record producer, Rico Wade, Sarah Barthel, Savannah, Sgt. Slaughter, Sir Lucious L. Leftfoot, Sir Luscious Left Foot, song-writer, Soul, southern hip hop, Stankonia Recording, The Son of Chico Dusty, Tri-Cities High School, Vicious Lies And Dangerous Rumors

“Lines”
from Big Boi’s 2012 release Vicious Lies And Dangerous Rumors
Now that’s what I’m talking ’bout
Year of the ASAP Mob

[Verse 1: ASAP Rocky]
Lines – tell them read between it
Tripping while I’m slipping, busy fighting off these demons
Listen while I’m spitting boy, you probably won’t believe it
But life is so terrific, tell them pinch me if I’m dreaming
Revenue’s what I get get, your b—h is what I did hit
And I’m bout my business, them pesos what I did get
Made a hit, had a fix, they saying you’s the shiznit
Tell them get off my diznick, you bucketheaded b—-es
Crossing all the lines, time is only racing time
He flippin to the bars so I’m only raising mine
Depending on the grind is the only way to shine
So I’m feeling like that odds is the only state of mind
And it’s finna give me peace, life up in these streets
Equipped with a piece, case you n—s wanted beef
Cause man gave us laws and God gave us time
It’s the art of storytelling and I’m only telling mine

New To You Music Sundays – Big Boi feat A$AP Rocky and Phantogram – “Lines”

Tags

2012, A$AP Mob, A$AP Rocky, alternative hip hop, Andre 3000, Andre Patton, Antwan André Patton, Atlanta, Big Boi, Billy Ocean, Blue Lines, Blue Lines Blog, Chief, Daddy Fat Sax, Dungeon Family, East Point, Electronic rock, Francis the Savannah Chitlin' Pimp, General Patton, Georgia, Hip-Hop, Hip-Hop Music, Hot Tub Tony, Indie pop, Josh Carter, Key Yemaya Walker, keyboards, Lines, music, music video director, New To You Music Sundays, New York, New York City, OutKast, Phantogram, Rakim Mayers, Rapper, Rapping, Sarah Barthel, Saratoga Springs, Savannah, Sgt. Slaughter, Sir Lucious L. Leftfoot, southern hip hop, The Son of Chico Dusty, U.S., Underground hip hop, USA, Vicious Lies And Dangerous Rumors, West Savannah

The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

Hip Hop Quotable Wednesdays – Outkast – “B.O.B.”

Tags

2000, 3000, actor, alternative hip hop, André "André 3000" Benjamin, André Lauren Benjamin, Andre 3000, Andre 3K, Antwan "Big Boi" Patton, Antwan André Patton, Arista, Atlanta, B.o.B, Baghdad, bass guitar, Benjamin André, Big Boi, Billy Ocean, Blue Lines, Bomb Over Baghdad, Chief, College Park, Daddy Fat Sax, dancer, Dave Meyers, David Sheats, DJ, Dookie Blossom Gain the 3rd, Dré, Dungeon Family, Earthtone III, East Point, Francis the Savannah Chitlin' Pimp, Funk, G-funk, General Patton, Georgia, guitar, Hip-Hop, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Hot Tub Tony, Ice Cold, Johnny Vulture, jungle, Key Yemaya Walker, keyboards, LaFace, LaFace Records, Mr. DJ, multi-instrumentalist, Music executive, musician, neo soul, Organized Noize, OutKast, Possum Aloysius Jenkins, Producer, R&B, Rapper, Rapping, record producer, Savannah, saxophone, Sgt. Slaughter, Singer, Singer-songwriter, Sir Lucious L. Leftfoot, Soul, southern hip hop, Stankonia, Stankonia Recording, The Son of Chico Dusty, Three Stacks, United States, Vocals

Verse 1:
Yeah!
Inslumnational Underground.
Thunder pounds,
when I stomp the ground.(Wooh)
Like a million elephants,
or silver back
Orangutans,
you can’t stop the train.
Who wants some?
Don’t come unprepared.
I’ll be there,
but when I leave there.
Better be a household name.
The weatherman tellin’ us
it ain’t gon’ rain.
So now we sittin in a drop top,
soaking wet.
In a silk suit trying
not to sweat.
Hittin’ somersaults with-
out the net.
But this’ll be the year that we
wont forget.
1-9-9-9!
Anno Domini,
anything goes!
Be what you want to be,
long as you know
consequences
are given for liv-
ing the fence is,
too high to jump in jail.
Too low to dig,
I might just touch hell.
HOT!

Hip Hop Quotable Wednesday: Holiday Edition

Tags

3000, actor, André "André 3000" Benjamin, André Lauren Benjamin, Andre 3000, Andre 3K, Andre Benjamin, Andre Patton, Antwan "Big Boi" Patton, Arista, Atlanta, bass guitar, Benjamin André, Big Boi, Blue Lines, Blue Lines Blog, blues, Bosstown, Christmas, D.A.R.P. Studios, dancer, Def Jam, Dirty South, Dookie Blossom Gain the 3rd, Doppler Studios; Atlanta, Dré, Dungeon Family, East Point, Electronic music, Funk, G-funk, Georgia, guitar, Hip-Hop, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Ice Cold, Jazz, Johnny Vulture, Key Yemaya Walker, keyboards, LaFace, LaFace/Arista, musician, neo soul, Organized Noize, OutKast, Players Ball, Possum Aloysius Jenkins, Producer, Puff Daddy, Purple Dragon, Rapper, Rapping, record producer, rock, Savannah, saxophone, Sean "Puff Daddy" Combs, Sean "Puffy" Combs, Sleepy Brown, songwriter, Sony Music, Soul, southern hip hop, Southernplayalisticadillacmuzik, spoken word poetry, Stankonia, SWATS, The Dungeon, Three Stacks, Two Shades Deep, U.S., United States, USA, Vocals

Players Ball – Outkast (1993 LaFace Christmas album)

http://bit.ly/10wckR

http://lala.com/z6mM

[Intro]
Man.. the scene was so thick
Low riders, Seventy-seven Sevilles, El Dawgs
Nuttin but them ‘llacs
All the players, all the hustlers
I’m talking bout black man heaven heah, yknahmsayin? Yeah..

[Andre]
It’s beginnin to look a lot like what? Follow my every step
Take notes on how I crept, I’s bout ta go in depth
This is the way I creep my season here’s my ghetto rep
I kept, to say the least no no it can’t cease
So I begin to piece my two and two together
Gots no snowy weather, have to find something to do better bet!
I said subtract so shut up that, nonsense about some solid solid..
I gots in crunk if it ain’t
real
ain’t right
I’m like no matter what the season
Forever chill with Smith, I sip my fifth, I chill with Wess’
and got my reasons so tell me what did you expect?
You thought I’d break my neck, to help y’all “Deck, the the..”
Oh naw, I got other means of celebratin
I’m gettin blizzard at HoJo, I got that hoochie waitin
I made it through another year cain’t ask fo’ nothin much mo’
It’s OutKast for the boots I thought you knew so now you know
Let’s go

[Chorus]
All the players came..
from
far and wide
Wearin afros and braids, kickin them gangsta rides
Now I’m here to tell ya.. there’s a better day
When the player’s ball is happenin, all day ery’day

[Big Boi]
Halle-lu-jah, halle-lu-jah
Y’know I do some things mo’ different than I.. used ta
Cause I’m a player, doin what the players do
The package sto’ was closed, okay my day is ruined
This is ridiculous, I’m gettin serious, I’m gettin curious
cause the house is smellin stank the chitlins old as bitches
I made no wishes cause I’m mobbin folk niggaz in the back
Gettin tipsy off the nog’gen,
high
as hell off the contact smoke
They havin a smoke out in my back seat (yeah)
They passin
herb
rewindin verses cause it’s in the air
I hit the parks, I hit the cuts, I’m hittin switches
Cause I’m switchin from side ta side lookin for ho snitches
I’m wide open on the freeway my pager broke my vibe
cause a junkie is a junkie three-sixty-five
It’s just another day of work to me the spirit just ain’t in me
Grab my pistol and my ounce see what them junkies gotta give me
cause it’s like that, heh, yeah
Forever pimpin, never slippin, that’s how it is (check it)

[Chorus]

[Big Boi]
Ain’t no chiminies in the ghetto so I won’t be hangin my socks
on no tip, I’m quick as a tick, fix me a plate
I got the remedy, so brings in that ham [not!]
Don’t need no ham [hocks!] don’t play me like I’m smokin rocks
I got the munchies, we got the Mary Jane in the Dungeon
Just to let you niggaz know in ninety-three that’s how we comin
So ho ho hos, check my king-ass ‘fro
The gin and juice has got me tipsy so umm..

[Andre]
It goes, give me ten, and I’ll serve you then, now we bend
the corner in my Cadillac, my heart does not go pitty-pat for no rat
I’m leaning back my elbows out the window
Coke rhyme and indo fills my body, where’s the party?
We roll deep, we dip to underground, see’s a lot of hoes around
I split my
game
while waitin countdown
A five fo’ a three two here comes the one
A new year has begun, P-Funk spark another one..

[Chorus]

[Peaches]
Here’s a little somethin for the players out there hustlin
Gettin down for theirs
From East Pointe, College Park, Decatur, Devry
You know, niggaz world wide
Down, for theirs..

[Chorus]