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Tag Archives: Roc-A-Fella

Music Mondays – Kanye West feat Chris Martin – “Homecoming”

09 Monday Oct 2017

Posted by bluelineswork in Music Mondays

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2008, Atlanta, Baby Dubb, Blue Hurt, Blue Lines, Blue Lines Blog, California, Chicago, Chris Martin, Cloud Gate, Coldplay, Def Jam, Def Jam Recordings, Georgia, Graduation, Hip-Hop Music, Hip-Hop Quotable Wednesdays, Homecoming, Kanye Omari West, Kanye West, Key Yemaya Walker, Keypsiia, Keypsiia Walker, Keypsiia Yemaya Walker, Los Angeles, Lyrics, Millenium Park, music, Please, Roc-A-Fella, Roc-A-Fella Records, Sacramento, Smiley, The Bean, Warryn Campbell, Warryn Stafford Campbell II


Yeezy
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

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Hip-Hop Quotable Wednesdays – OutKast feat Jay-Z & Killer Mike – “Flip Flop Rock”

20 Wednesday Sep 2017

Posted by bluelineswork in Hip-Hop Quotable Wednesdays

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2003, Adamsville, Andre 3000, Andre Benjamin, Antwan "Big Boi" Patton, Antwan André Patton, Antwan Patton, Aquemini, Atlanta, Big Boi, Blue Hurt, Blue Lines, Blue Lines Blog, Brooklyn, California, College Park, Daddy Fatsacks, David Sheats, Dungeon Family, East Coast, East Coast Hip-Hop, East Point, Flip Flop Rock, Georgia, Hip-Hop, Hip-Hop Music, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Jay-Z, Key Yemaya Walker, Keypsiia, Keypsiia Walker, Keypsiia Yemaya Walker, Killer Mike, Michael Render, Mike Bigga, Mr. DJ, music, New York, New York City, OutKast, Producer, record producer, Roc-A-Fella, Roc-A-Fella Records, Run the Jewels, Sacramento, Shawn Carter, Shawn Corey Carter, southern hip hop, Speakerboxxx, Speakerboxxx/The Love Below, Stankonia, Young Hov

[Big Boi] Yeah.. ATLiens style on y’all ass
[K. Mike] DO OR DIE, AQUEMINI
[K. Mike] Killer Mike, Roc-A-Fella collaboration – holla!
[Y. Hova] Young Hov’ in the place to be
[Y. Hova] Big Boi in the place to be (Young)
[Y. Hova] Andre 3000 (cash) shout out to public housin (b—h)
[Y. Hova] I brought (holla) the whole hood with me
[Big Boi] You got red dirt in your afro
[Y. Hova] Young Hov’ in the place to be (yeah)
[Y. Hova] OutKast in the place to be (yeah)
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Hip-Hop Quotable Wednesdays – Throne (Jay-Z & Kanye West) – “Gotta Have It”

20 Wednesday Jul 2016

Posted by bluelineswork in Hip-Hop Quotable Wednesdays

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Atlanta, Blue Hurt, Blue Lines, Blue Lines Blog, Brooklyn, California, Chad Hugo, Chicago, Def Jam, Def Jam Recordings, East Coast Hip-Hop, Ferris Bueller, Fred Wesley, Georgia, Hip-Hop, Hip-Hop Music, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, James Brown, Jay-Z, Joseph Roach, Kanye, Kanye Omari West, Kanye West, Key Yemaya Walker, Keypsiia, Keypsiia Walker, Keypsiia Yemaya Walker, KiD CuDi, New York, New York City, Pharrell, Pharrell Williams, Roc Nation, Roc-A-Fella, Roc-A-Fella Records, Sacramento, Sean Carter, Shawn Carter, Shawn Corey Carter, The Neptunes, Watch the Throne

[Kanye West:]
Turn my headphones up
Louder
Uh-huh, uh-huh

(What you need, what, what you need)
(What you need, what, what you need)
Oh (I got what you need)

Hello, hello, hello, White America, assassinate my character
Money matrimony, yeah, they tryna break the marriage up
Who gon’ act phonier? Who gon’ try to embarrass ya?
I’ma need a day off, I think I’ll call Ferris up
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Cover Sundays – Tove Lo – “Lost In The World” – Kanye West Cover

12 Sunday Jun 2016

Posted by bluelineswork in Cover Sundays

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Atlanta, Blue Hurt, Blue Lines, Blue Lines Blog, Bon Iver, California, Cover, Cover Song, Cover Songs, Cover Sundays, Covers, Def Jam, Def Jam Recordings, Djursholm, Ebba Tove Elsa Nilsson, Electropop, Georgia, Hip-Hop, Indie pop, Jeff Bhasker, Justin Vernon, Kanye, Kanye Omari West, Kanye West, Key Yemaya Walker, Keypsiia, Keypsiia Walker, Keypsiia Yemaya Walker, Los Angeles, Lost in The World, Love, Malik Jones, music, My Beautiful Dark Twisted Fantasy, Roc-A-Fella, Roc-A-Fella Records, Sacramento, Singer, Singer-songwriter, songwriter, Stockholm, Sweden, Tove Lo, UNC, UNC Chapel Hill, United States, University of North Carolina at Chapel Hill, Vocals


Tove
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

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Hip-Hop Quotable Wednesdays – Jay-Z feat The Notorious B.I.G. – ” Brooklyn’s Finest”

13 Wednesday Jan 2016

Posted by bluelineswork in Hip-Hop Quotable Wednesdays

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1996, Biggie Smalls, Blue Hurt, Blue Lines, Blue Lines Blog, Brooklyn, Brooklyn's Finest, Christopher George Latore Wallace, Christopher Wallace, Hip-Hop, Hip-Hop Music, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Key Yemaya Walker, Keypsiia, Keypsiia Walker, Keypsiia Yemaya Walker, Marcy Projects, New York, New York City, Rapper, Reasonable Doubt, Roc-A-Fella, Roc-A-Fella Records, Sean Carter, Shawn Carter, Shawn Corey Carter, The Notorious B.I.G.

[Pain In Da Ass]
[gunshots] OKAY, I’M RELOADED!!!
You motherf–kers, think you big time?
F–kin with Jay-Z, you gon’ die, big time!
Here come the “Pain”! [gunshots]

[Jay-Z]
Jigga… (Jigga), Bigga… (Bigga)
N—a, how you figure… (how you figure)
Yeah, yeah, yeah, aiyyo

Peep the style and the way the cops sweat us (uh-huh)
The number one question is can the Feds get us (uh-huh)
I got vendettas in dice games against ass betters (uh-huh)
and n—az who pump wheels and drive Jettas
Take that witcha..
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Cover Sundays – Sam Brown – “Runaway” Kanye West Cover

29 Sunday Nov 2015

Posted by bluelineswork in Cover Sundays

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2010, Atlanta, Blue Hurt, Blue Lines, Blue Lines Blog, California, Chapel Hill, Cover, Cover Song, Cover Songs, Cover Sundays, Covers, Def Jam, Def Jam Recordings, Emile, Georgia, Jeff Bhasker, Kanye Omari West, Kanye West, Key Yemaya Walker, Keypsiia, Keypsiia Walker, Keypsiia Yemaya Walker, MBDTF, Mike Dean, My Beautiful Dark Twisted Fantasy, Roc-A-Fella, Roc-A-Fella Records, Runaway, Sacramento, Sam Brown, UNC, UNC Chapel Hill, University of North Carolina at Chapel Hill


  
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

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Hip-Hop Quotable Wednesdays – Kanye West – RoboCop

08 Wednesday Jul 2015

Posted by bluelineswork in Hip-Hop Quotable Wednesdays

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Alfonso Cuarón, Atlanta, Avex Recording Studio, Blue Hurt, Blue Lines, Blue Lines Blog, Brian Donnelly, California, Chicago, Def Jam, Electropop, Georgia, Glenwood Studios, Great Expectations, Hip-Hop, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Illinois, Kanye Omari West, Kanye West, KAWS, Key Yemaya Walker, Kissing in The Rain, November, Patrick Doyle, R&B, RoboCop, Roc-A-Fella, Sacramento, UNC Chapel Hill, University of North Carolina at Chapel Hill

[Verse 1]
Bout the baddest girl I ever seen
Straight up out a movie scene
Who knew she was a drama queen
That a turn my life to Stephen King
Up late night like she on patrol
Checking everything like I’m on parole
I told her some things she don’t need to know
She never let it go
Ok, Ok, Ok, Ok
You will never stop it now
You never stop it now
Ok, Ok, Ok
You will never stop it now
You need to drop it now….drop it…drop it

[Chorus]
Cause I don’t want no Robocop
You moving like a Robocop
When did you become a Robocop
Now I don’t need no Robocop
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Text Tuesdays – The Yeezus Tour – Blue Lines Blog Review

04 Wednesday Dec 2013

Posted by bluelineswork in Blue Lines, Text Tuesdays

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Tags

808 & Heartbreak, 88-Keys, Ackee Juice Rockers, All Of The Lights, Alone, Andrew "Pop" Wansel, Anthony Kilhoffer, Arca, Article, Atlanta, Ben Bronfman, Benji B, Black Skinhead, Blood on the Leaves, Blue Lines, Blue Lines Blog, Blue Lines Blog Review, Bon Iver, Boogz & Tapez, Bound 2, Brodinski, Can't Tell Me Nothing, Carlos Broady, Che Pope, Chicago, Chief Keef, Clique, Coachella, Coachella Festival, Coachella Valley, Coachella Valley Music and Arts Festival, Cold, Coldest Winter, College Dropout, Cruel Summer, Cruel Summer (GOOD Music album), Daft Punk, Dan Black, Def Jam, Diamonds from Sierra Leone, Director, Dom Solo, DONDA, Donda West, Edgar Allen Poe, entrepreneur, Eric Danchick, Evian Christ, fashion designer, Flashing Lights, Georgia, Gesaffelstein, Glow In The Dark Tour, Godspeed You! Black Emperor, GOOD, Good Life, GOOD Music label, Graduation, Guilt Trip, Heartless, Hip-Hop, Hit-Boy, Hold My Liquor, Hudson Mohawke, I Am a God, I Don't Like, I'm In It, Illinois, Illmind, Instagram, iPhone, iPhone 5, iPhone Post, Jack Donoghue, Jeff Bhasker, Jesus Walks, Justin Vernon, Kanye Omari West, Kanye West, Ken Lewis, Kendrick Lamar, Key Yemaya Walker, keyboards, Late Registration, Lifted, Lost in The World, Lunice, Lupe Fiasco, Mannie Fresh, Mano, Mercy, Mike Dean, Mike Will, Mountain, Mufasa, music, My Beautiful Dark Twisted Fantasy, N.E.R.D., Nas, New Slaves, Nine Inch Nails, No ID, Noah Goldstein, On Sight, percussion, Philips Arena, Power, Rapper, record producer, Rick Rubin, Rihanna, Roc-A-Fella, Runaway, S1, sampler, Send It Up, Sham Joseph, Singer-songwriter, Stronger, synthesizer, Text Tuesdays, The Lion King, The Twilite Tone, The Yeezus Tour, Through the Wire, Tommy Brown, Travi$ Scott, Travis Scott, U.S., United States, Very GOOD Beats, Vocals, Yeezus, Young Chop

“…As others saw; I could not bring
My passions from a common spring.
From the same source I have not taken
My sorrow; I could not awaken
My heart to joy at the same tone;
And all I loved, I loved alone.
Then- in my childhood, in the dawn
Of a most stormy life- was drawn
From every depth of good and ill
The mystery which binds me still…”
Excerpt from “Alone” by Edgar Allen Poe.

20131204-155759.jpg

A top the mountain.

Atlanta – December, 2013

A mountain, a mask, and a fashion of playing to an audience while hiding behind something…

In one of the strangest performances that I have witnessed since Godspeed You! Black Emperor’s opening for Nine Inch Nails, Chicago artist, Kanye West returned to the city of his birth with The Yeezus Tour in support of the aforementioned 2013 album. Poised to present his first solo tour in 5 years (previously touring with his Glow In The Dark Tour featuring Rihanna, N.E.R.D., Lupe Fiasco, and Nas) with opening act Kendrick Lamar.

An elaborately choreographed presentation spanning Kanye’s College Dropout, Late Registration, with some focus on Graduation, but, to my liking, taking the majority of the direction from Yeezus, and 808 & Heartbreak and My Beautiful Dark Twisted Fantasy with preceded it, the tour arrived amid the inordinate press that has been known to follow Kanye since 2007. Recent remarks, and blowups have litter current media with talking points regarding the Chicago artist have also followed with the “Talk My Shit,” interludes that now litter dates of his tour.

20131204-155825.jpg

Ye in action.

The performance intelligently began with Yeezus content, with Yeezy perched atop a mountain with a moon like video board that tempered the climate of the show, whether creating a moon effect, displaying weather, or giving a close up of the performance. Though Kanye, tends to project a larger than life persona, the use of four ornate masks, he plays a high energy show, allowing a separation between he and his audience. Kanye conceals himself for 85% – 90% of the performance. The anonymous and uniform theme is extended to the female dancers and male extras who are covered in full bodysuits, allowing all attention to be focused on the act, Kanye himself.

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Hip-Hop Quotable Wednesdays – 9/11 – Jay-Z feat Alicia Keys – “Empire State of Mind”

11 Wednesday Sep 2013

Posted by bluelineswork in Hip-Hop Quotable Wednesdays

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2009, 5× Platinum, 9/11, Actress, Al Shux, Alexander Shuckburgh, Alicia Augello Cook, Alicia Keys, Angela Hunte, Arista, Atlantic, Biggie, Biggie Smalls, Billboard, Blue Lines, Blue Lines Blog, Brooklyn, Brooklyn Nets, Burt Keyes, Columbia, Def Jam, Empire State Of Mind, entrepreneur, Hip-Hop, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Instagram, iPhone, iPhone 5, iPhone Post, J, Jane't "Jnay" Sewell-Ulepic, Jeff Bhasker, Jermone Harmon, Kanye West, Key Yemaya Walker, keyboards, Lexus, Mary J. Blige, McDonalds, music, musician, New York, New York City, New York Knicks, No I.D., Notorious B.I.G, Oven Studios, pianist, piano, Platinum, pop, R&B, Rapper, RCA, record producer, Robert Deniro, Roc Nation, Roc the Mic Studios, Roc-A-Fella, Shawn Carter, Shawn Corey Carter, Singer-songwriter, Soul, Spike Lee, Swizz Beatz, Sylvia Robinson, The Blueprint 3, The Inkredibles, The Neptunes, The Notorious B.I.G., Timbaland, Tribeca, Ty-Ty, U.S., United States, Vocals, World Trade Center, WTC

Yeah

[Verse 1: Jay-Z]
Yeah I’m out that Brooklyn, now I’m down in TriBeCa
Right next to Deniro, but I’ll be hood forever
I’m the new Sinatra, and since I made it here
I can make it anywhere, yeah, they love me everywhere
I used to cop in Harlem, all of my Dominicano’s
Right there up on Broadway, pull me back to that McDonald’s
Took it to my stashbox, 560 State St.
Catch me in the kitchen like a Simmons with them Pastry’s
Cruisin’ down 8th St., off white Lexus
Drivin’ so slow, but BK is from Texas
Me, I’m out that Bed-Stuy, home of that boy Biggie
Now I live on Billboard and I brought my boys with me
Say what’s up to Ty-Ty, still sippin’ mai tai’s
Sittin’ courtside, Knicks & Nets give me high five
Nigga I be Spike’d out, I could trip a referee
Tell by my attitude that I’m most definitely from….

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Hip-Hop Quotable Wednesdays – Kanye West feat Chris Martin – “Graduation”

26 Wednesday Sep 2012

Posted by bluelineswork in Hip-Hop Quotable Wednesdays

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2008, Abbey Road Studios, Blue Lines, Blue Lines Blog, Chalice Studios, Chicago, Chris Martin, Chung King Studios, Coldplay, Common, Common Sense, Def Jam, Good Night, Graduation, Hip-Hop, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Hype Williams, I Used to Love H.E.R., Illinois, Kanye, Kanye West, Key Yemaya Walker, music, Photography, Roc-A-Fella, Roc-A-Fella Records, Roc-A-Fella Records LLC, Sony Music Studios, The Record Plant, Warryn Campbell

[Intro – Kanye West]
Yeah.
And you say Chi city,
Chi city, Chi city

[Chorus – Chris Martin]
I’m coming home again.
Do you think about me now and then?
Do you think about me now and then?
Cause I’m coming home again
I’m in home again.

[Verse 1 – Kanye West]
I met this girl when I was three years old
And what I loved most she had so much soul
She said, excuse me little homie, I know you don’t know me- but,
My name is Windy and, I like to blow trees and,
From that point I never blow her off,
They can come from outta town I like to show her off,
They like to act tough, she like to tow em off,
And make em straighten up their act, cause she know they soft
And when I grew up she showed me how to go downtown
And at nighttime my face lit up so astounding
And I told her in my heart is where she always be
She never mess with entertainers cause they always leave
She said it felt like they walked and drove on me
Knew I was gang affiliated got on TV and told on me
I guess it’s why last winter she got so cold on me
She said, Ye keep making that, keep making that platinum and gold for me

[Chorus – Chris Martin]
Do you think about me now and then?
Do you think about me now and then?
Cause I’m coming home again
I’m in home again
Do you think about me now and then?
Do you think about me now and then?
Oh, now I’m coming home again

Maybe we can start again

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