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Hip-Hop Quotable Wednesdays – Heltah Skeltah – “I Ain’t Having That” feat Redman and Doc Holiday RIP Sean Price

12 Wednesday Aug 2015

Posted by bluelineswork in Hip-Hop Quotable Wednesdays

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1998, Atlanta, Blue Hurt, Blue Lines, Blue Lines Blog, Brooklyn, Brownsville, California, Cuzin Bawb, Doc Holiday, Duck Down, Duck Down Records, East Coast Hip-Hop, EMI Records, hardcore hip hop, Hennessey, Hip-Hop, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, I Ain't Having That, Jack the Rapper, Key Yemaya Walker, Keypsiia Walker, kielbasa, KRS-One, Magnum Force, MFC, Mystical, New Orleans, New York, New York City, October, OGC, Originoo Gunn Clappaz, Producer, Rapper, Redman, Reggie Noble, rock, Ruck, Sacramento, Sean Du-Val Price, Sean Price, Starang, Starang Wondah, USA, Wu-Tang Clan

They don’t like us
Word up
They don’t like us
They ain’t gotta like us f–k them son

Starang forever like Wu Tang my crew brings drama
Hangin’ your a-s upside down by ya shoe strings
Smoke, tell ’em how we doin’ this
Stop the whole s–t just to big up my newness

(Now, by all means)
I do a show in New Orleans
And get wit b’out it ’bout it Mystikal
(Starang, we been missin’ you)
Last year ATL we almost got physical

I can’t talk, now, read about it in the interview
(While y’all up in D&D)
I caught two and three stitches
I was still gettin’ b—hes in the tunnel takin’ pictures
In the mazda listenin’ to ‘Kris, I Got Next’
I wanted hot sex, so I ran and got the Lex
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Music Mondays – Phantogram – “Black Out Days”

23 Monday Dec 2013

Posted by bluelineswork in Blue Lines

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2, 2013, 2014, American electronic rock, Barsuk Records, BBE, Black Out Days, Blue Lines, Blue Lines Blog, electronic, Ghostly International, guitars, Hip-Hop, Indica Records, Josh Carter, Key Yemaya Walker, keyboards, music, Music Mondays, New York, Phantogram, Sarah Barthel, Saratoga Springs, Shoegaze, Sub-Bombin Records, trip hop, USA, Vocals, Voices


Phantogram Black Out Days
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

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Hip-Hop Quotable Wednesdays – OutKast – “Elevators (Me And You)” Fitting with their Coachella Announcement

20 Wednesday Nov 2013

Posted by bluelineswork in Blue Lines

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1996, 3000, actor, alternative hip hop, André "André 3000" Benjamin, André Lauren Benjamin, Andre 3000, Andre 3K, Andre Benjamin, Andre Patton, Antwan "Big Boi" Patton, Antwan André Patton, Antwan Patton, Arista, ATL, Atlanta, ATLiens, bass guitar, Benjamin André, Big Boi, Big Boi and Dre Present... OutKast, Blue Lines, Blue Lines Blog, Blue Lines Coachella Weekend, Blue Lines Coachella Weekend 2014, Blue Suede Shoes, Bosstown Recording Studios, Cadillac, Carl Perkins, Chung King Recording Studio, Coachella, Coachella 2014, Coachella Festival, Coachella Valley, Coachella Valley Music and Arts Festival, dancer, Decatur, Def Jam, Delowe, Dookie Blossom Gain the 3rd, Doppler Recording Studios, Dré, Earthtone Ideas, East Point, Elevators (Me & You), Funk, G-funk, Georgia, guitar, Halle Berry, Headland, Hip-Hop, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Ice Cold, Island/Def Jam, Jazz, Johnny Vulture, Key Yemaya Walker, keyboards, LaFace, LaFace Records, LaFace Records/Arista Records, Lithonia, Marta, Mr. DJ, music, musician, neo soul, Organized Noize, OutKast, OutKast/Earthtone Ideas, PatchWerk Recording Studio, Possum Aloysius Jenkins, Producer, Purple Dragon Studios, R&B, Rally's, Rapper, Rapping, Ray Murray, RCA, record producer, Rico Wade, Savannah, saxophone, Sir Lucious Left Foot, Sleepy Brown, songwriter, Sony Music, Soul, Sound On Sound Recording, southern hip hop, Studio LaCoCo, SWATS, Three Stacks, Tony Toni Tone, U.S., United States, USA, Vocals, Vogues

Atlanta’s Coachella 2014 Headliner

Verse One: Andre

One for the money yes uhh two for the show
A couple of years ago on Headland and Delowe
Was the start of somethin good
Where me and my n—a rodes the MARTA, through the hood
Just tryin ta find that hookup
Now everyday we look up at the ceiling
Watchin ceiling fans go around tryin ta catch that feelin
off instrumental, had my pencil, and plus my paper
We caught the 86 Lithonia headed to Decatur
Writing rhymes tryin ta find our spot off in that light
Light off in that spot, known that we could rock
Doin the hole in the wall clubs, this s–t here must stop
Like freeze, we makin the crowd move but we not makin no G’s
And that’s a no, no

Verse Two: Big Boi

Yeah, uhh, check it
Ahh one two, ahh one two doe, n—as
in the Cadillac they call us went from Player’s Ball to ballers
Puttin the South up on the map was like Little Rock to bangin
N—as say motherf–k that playin, they payin
We stay in layin vo-cals, locals done made it with them big boys
up in dis industry, Outkast yea dem n—az they makin big noise
Over a million sold to this day, n—az they take it lightly
Ninety-six gon be that year that all y’all playa haters can bite me
…around this b—h
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Hip-Hop Quotable Wednesdays – Beastie Boys feat Q-Tip – “Get It Together (A.B.A. Remix)”

06 Wednesday Nov 2013

Posted by bluelineswork in Blue Lines

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1994, A Tribe Called Quest, A.B.A. Remix, Abednego, Abstract, Ad-Rock, Adam Horovitz, Adam Keefe Horovitz, Adam Nathaniel Yauch, Adam Yauch, Adrock, alternative hip hop, Aquarius/Let the Sunshine In, Arista, Atwater Village, bass, bass guitar, Battery, Beastie Boys, Bell Communications, Biz Markie, Bloach, Blue Lines, Blue Lines Blog, Brooklyn, Buddhist, Capitol, Capitol/Grand Royal, Chachi, Country Mike, Def Jam, Director, disc jockey, DJ, Drummer, drums, Eugene McDaniels, Evan Bernard, Farmers Blvd, film distributor, G-Son Studios, Get It Together, Get It Together (A.B.A. Remix), good music, Grand Funk Railroad, Grand Royal, guitar, Guitarist, Happy Days, hardcore punk, Headless Heroes, Hip-Hop, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Ill Communication, Ione, Ione Skye, jazz-funk, jazz-rap, Jewish, Jive, Joanie, Joanie Loves Chachi, John Holmes, John Starks, Jonathan Davis, Kamaal Ibn John Fareed, Key Yemaya Walker, keyboards, King Adrock, Ma Bell, Manhattan, Mario Caldato Jr, MC, MC Love Child, MCA, Meshach, Michael Diamond, Mike D, Moog, Moog Machine, music, musician, Nathanial Hörnblowér, Native Tongues, Native Tongues Posse, New York, New York City, New York Knicks, Nothing Is the Same, NY, percussion, Piano/keyboards, Q-Tip, Queens, Queens New York, Rap rock, rapcore, Rapper, Rapping, Rat Cage, record producer, Sabotage / Get It Together, Shadrach, sitar, songwriter, Sp-1200, St. Albans, The King of Lunch, Tin Pan Alley, Turntables, U.S., United States, Universal Motown, US, USA, Vassar College, Vocals, Young and the Useless

[Q-Tip]
One-two, one-two, keep it on
Listen to the s–t because we kick it ’til dawn
Listen to the Abstract, got it going on
Listen to the ladies, come on and let me spawn
On your eggs, then you go up the river
Listen to the abstract, that freaky n—a

[Ad Rock]
Now I’m Ad Rock and I shock and I tick and I tock
And I can’t stop with the body rock

[Mike D]
See, I’ve got heart like John Starks
Hitting mad sparks
Pass me the mic and I’ll be rockin’ the whole park

[MCA]
Well, I’m the M to the C to the A and it’s a must
The rhymes that we bust on the topic of lust

[Q-Tip]
And my Moms is not butt, but f–k it
Let me get down to the rhythm
Yes, I get funky and I’m shooting all my jism
Like John Holmes, the X-rated n—-r
Listen to the s–t cause I am the ill figure
Nobody’s getting any bigger than this

*Get it together*
Get…
Phone is ringing, oh my God
*Get it together, see what’s happening*

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Hip-Hop Quotable Wednesdays – AZ – “Rather Unique”

30 Wednesday Oct 2013

Posted by bluelineswork in Hip-Hop Quotable Wednesdays

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1995, Amar Pep, Anthony Cruz, Anticipation, AZ, AZ The Visualiza, Big Daddy Kane, Blue Lines, Blue Lines Blog, Buckwild, Doe Or Die, DR Period, East Coast Hip-Hop, EMI, Funky Drummer, Hip-Hop, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, iPhone, iPhone 5, iPhone Post, Just Rhymin with Biz, Key Yemaya Walker, Koch, L.E.S., Les McCann, Loose, Lunatic Mind, Mafioso rap, Motown, music, N.O. Joe, New York, New York City, Noo Trybe Records/Virgin, Pete Rock, Queens, Quiet Money Records, Rapper, Rather Unique, Ski, Sosa, The Firm, USA, Vocals

Rock the house
East New York, East New York
East New York, East New York
East New York, East New York
East New York, East New York
To my n—a AZ to the fullest

We was already loyal to people’s minds and mulianis
Now we more f—ed up with a mayor named Guliani
You can try to bomb me analyze but can’t define me
My mind’s divine heavily entwined with Ghandi’s

Far from feeble, I leave your nostrils hard to breathe through
‘Cause my cerebrals are more of a higher plane than the Hebrews
Well my mic devotion brings out my deepest emotions
Overdosing wannabes posing sending them through convulsions

To hard to follow, you took a bite but couldn’t swallow
Your mind’s boggled but I’m as deep as Donald Goines novels
My whole persona’s kinda laid back like a recliner
And since my mama, I been f—ing with marijuana

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New To You Music Sundays – Phantogram – “When I’m Small”

20 Sunday Oct 2013

Posted by bluelineswork in New To You Music Sundays

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2009, Barsuk Records, BBE, Blue Lines, Blue Lines Work, Electronic rock, Eyelid Movies, Ghostly International, Indica Records, Indie pop, Josh Carter, Key Yemaya Walker, New To You Music Sundays, New York, Phantogram, Sarah Barthel, Saratoga Springs, Sub-Bombin Records, USA, When I'm Small

20131020-132342.jpg
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

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Hip-Hop Quotable Wednesdays – A Tribe Called Quest – “Award Tour” requested by Promoter Ike’s World

04 Wednesday Sep 2013

Posted by bluelineswork in Blue Lines

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12" maxi single, 1993, A Tribe Called Quest, Ali Shaheed Jones-Muhammad, Ali Shaheed Muhammad, alternative hip hop, Atlanta, Atlanta Braves, bass, Blue Lines, Blue Lines Blog, Braves, Brooklyn, Chinatown, Dallas, David Jude Jolicoeur, DC, De La Soul, Delaware, digital download, DJ, Dove, Hip-Hop, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Houston, Jarobi White, Jazz Merchant Music, jazz-rap, Jive Records, Jonathan Davis, Kamaal Ibn John Fareed, Key Yemaya Walker, keyboard, L.A., Large Professor, London, Long Island, Malik Isaac Taylor, Malik Izaak Taylor, Maryland, Midnight Marauders, Motown, music, N.C., Native Tongues, New Orleans, New York, New York City, New York Yankees, NJ, Nodlew Music, November, NY, Oaktown, Phife Dawg, Producer, Q-Tip, Queens, Queens New York City, Rapper, S.C., sampler, San Fran, Skeff Anselm, Spokane, St. Albans, St. John, Tokyo, Trinidad and Tobago, Trugoy, Trugoy The Dove, Turntables, Unichappell Music Inc., United States, Universal Music - Z Tunes LLC, USA, VA, Vocal, Weldon Irvine Jr, Yankees

[chorus Dove from De La Soul:]
We on Award Tour with Muhammad my man
Going each and every place with the mic in their hand
New York, NJ, N.C., VA
We on Award Tour with Muhammad my man
Going each and every place with the mic in their hand
Oaktown, L.A., San Fran, St. John

[Q-Tip:]
People give your ears so I be sublime
It’s enjoyable to know you and the concubine
N—az, take off your coats ladies, act like chorus Dove from De La Soul:
We on Award Tour with Muhammad my man
Going each and every place with the mic in their hand
New York, NJ, N.C., VA
We on Award Tour with Muhammad my man
Going each and every place with the mic in their hand
Oaktown, L.A., San Fran, St. John

[Q-Tip:]
People give your ears so I be sublime
It’s enjoyable to know you and the concubine
N—az, take off your coats ladies, act like GEMS
Sit down, Indian style, as we recite these hymns
See, lyrically I’m Mario Andretti on the mo-mo
Ludicrously speedy, or infectious with the slow-mo
Heard me in the eighties, J Beez on the promo
On my never ending quest to get the paper on the
Caper

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Hip-Hop Quotable Wednesdays – Raekwon feat Method Man & Ghostface Killah – “New Wu”

28 Wednesday Aug 2013

Posted by bluelineswork in Hip-Hop Quotable Wednesdays

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2009, actor, Aftermath, Author, Blue Lines, Blue Lines Blog, Bobby Digital, Brian Urlacher, Brooklyn, Brownsville, ceo, Clifford Smith, Corey Woods, Daytona 500, Def Jam, Director, Epic, Ghostface, Ghostface Killah, Ghostface Killer, Hempstead, Hip-Hop, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, I've Changed, Key Yemaya Walker, Long Island, Loud, Method Man, music, New Wu, New York, New York City, Only Built 4 Cuban Linx... Pt. II, Prince Rakeem, Raekwon, Raekwon the Chef, Rapper, Razor Sharp, record producer, Robert Fitzgerald Diggs, RZA, Rzarector, screenwriter, Shallah Raekwon, Soul Temple, Starks Enterprises, Staten Island, The Abbot, The Magictones, The Scientist, Tony Starks, U.S., United States, Universal, Urlacher, USA, Wu-Tang, Wu-Tang Clan

[Intro: Raekwon]
Uh-huh, what up son? Yeah
Maintaining, maintaining, you know?
You good, right? Everything proper, still, right?
Of course, come on, man, what’s the matter wit you, man?
Ain’t nothing, I just want us to be on

[Chorus: Method Man]
Tell a friend, it’s that symbol again, that W
Coming through, bust a shot on your block, give me a suu
Get it right, all my chicks hold ya t-ts, let’s get it in
All my n—as take a toke off this weed, let it begin
Here we go, yo, ya’ll already know what it do
Brand new, n—a, back from the slums, it be the Wu
Now throw ya W’s up, back from the slums, it be the Wu

[Raekwon]
You know how to dress a lad, get rocked, hundred bags, black doorags
Ski masks is on, g-rags
N—a try to take pictures, relax, still in the grass
You’ll learn respect, burst when I ask
Rhyme master busy, Rizzy on the subject
Love Deck, thug buried, drug vest, snub sets, killing the most
Night time toast, gorillas in boats, three boats
Realers is killa, gangsta feel notes
Hibernation yo, switch up, liver nation, fly information
Vivid vacation, deliberation moments
Move like ’91 Romans, cloning everything
Gents only, the rent’s on the stove, I’m in Rome
Maxed out, Amex style, my team brand bandits
Make a move and get blown off the planet, baby
Hold that cannon, just understand we got the whole s–t
Padlocked down, my n—as won’t have it

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Hip Hop Quotable Wednesdays – A Tribe Called Quest – “Can I Kick It”

23 Wednesday Jan 2013

Posted by bluelineswork in Hip-Hop Quotable Wednesdays

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1991, A Tribe Called Quest, Abstract, Ali Shaheed Muhammad, alternative hip hop, American hip hop, ATCQ, bass, Battery Studios, Blue Lines, Blue Lines Blog, Brooklyn, Calliope Studios, Can I Kick It, Charles Wright & the Watts 103rd Street Rhythm Band, Dance of the Knights, David Porter, DJ Pete Tong, Dr. Buzzard's Original Savannah Band, Dr. Lonnie Smith, drums, Dumb D.J. Towha's DewDrop Inn, East Coast Hip-Hop, Five Foot Assassin, Fried Okra, Garden Seeker Productions, Golden age hip hop, Hip-Hop, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Hot Chocolate, Ian Dury, Jarobi White, jazz-rap, Jive, Jive/RCA Records, Jonathan Davis, Key Yemaya Walker, keyboard, Lou Reed, Malik Isaac Taylor, MC Love Child, Mr. Muhammad, music, Native Tongues, New York, People's Instinctive Travels and the Paths of Rhythm, Phife Dawg, Piano/keyboards, Q-Tip, Queens, R&B, sampler, Sergei Prokofiev, Soul, Soul Con-certo, Spinning Wheel, St. Albans, Sunshower, The Way You Do the Things You Do, Turntables, U.S., United States, USA, Vocal, Vocals, Walk on the Wild Side, What a Waste, You Sexy Thing, Zomba

[Q-Tip]
Can I kick it? (Yes, you can!) *7X*
Well, I’m gone (Go on then!)

Can I kick it? To all the people who can Quest like A Tribe does
Before this, did you really know what live was?
Comprehend to the track, for its why cuz
Gettin measures on the tip of the vibers
Rock and roll to the beat of the funk fuzz
Wipe your feet really good on the rhythm rug
If you feel the urge to freak, do the jitterbug
Come and spread your arms if you really need a hug
Afrocentric living is a big shrug
A life filled with *HORN* that’s what I love
A lower plateau is what we’re above
If you diss us, we won’t even think of
Will Nipper the doggy give a big shove?
This rhythm really fits like a snug glove
Like a box of positives is a plus, love
As the Tribe flies high like a dove

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Music Mondays – Norah Jones – “All A Dream”

21 Monday Jan 2013

Posted by bluelineswork in Music Mondays

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2012, Actress, Adult contemporary, All a Dream, alternative hip hop, alternative rock, ambient, artist, Athens, bass, bass guitar, Beatboxing, Big Beat, Blue Lines, Blue Lines Blog, Blue Note, breakbeat, breakbeat hardcore, Brian Burton, Brian Joseph Burton, Brooklyn, California, Cee Lo, Cee-Lo Green, Country, Danger Mouse, DAW, Denton, drum and bass, drum machine, drums, Electro, Electro Vox Studios, Electronica, Folk, Folk rock, Geethali Norah Jones Shankar, Georgia, Gnarls Barkley, grime, guitar, Hip-Hop, indie rock, Jazz, Key Yemaya Walker, keyboards, Little Broken Hearts, lo-fi, Los Angeles, Mondo Studio, music, Music Mondays, music producer, musician, neo soul, neo-psychedelia, New York, Norah Jones, oldschool jungle, organ, percussion, piano, Piano/keyboards, Rapping, Ravi Shankar, roots rock, sampler, saxophone, Singer-songwriter, Sue Jones, synthesiser, synthesizer, Texas, trip hop, Turntable, U.S., United States, United StatesWhite Plains, USA, vocal jazz, Vocals, White Plains


Norah-Jones-Little-Broken-Hearts
The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

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