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Tag Archives: Vicious Lies And Dangerous Rumors

Hip-Hop Quotable Wednesdays – Big Boi Feat Little Dragon – “Descending”

01 Wednesday Jul 2015

Posted by bluelineswork in Hip-Hop Quotable Wednesdays

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Andramadon, Andy Slagle, Antwan Patton, Arthur McArthur, Atlanta, Big Boi, Blue Hurt, Blue Lines, Blue Lines Blog, Bosko Kante, Chris Carmouche, Cy Fyre, Def Jam, DJ Aries, East Point, Erik Bodin, Fredrik Wallin, Gary Fly, Gothenburg, Håkan Wirenstrand, Hip-Hop Quotable Wednesdays, Hockey, Jai Paul, Japan, John Hill, Key Yemaya Walker, koop, Little Dragon, Los Angeles, Mr. DJ, Nathan Williams, NHL, Organized Noize, OutKast, Phantogram, Purple Ribbon, Royal Flush, Savannah, Sharif Wilson, Showdown, SWATS, Sweden, Tre Luce, Vicious Lies And Dangerous Rumors, West Savannah, Yukimi Nagano

If you don’t me by now
If you don’t me by now
If you don’t me by now
If you don’t me by now

Don’t know
Don’t know
Don’t

When I’m in a bad feel yea
The pain when I’m…
Thinking ’bout it yea
I will not fall
Beat the times, thank God
Grandmother…
Great grandmamma, thank God
My daddy’s gone
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Hip-Hop Quotable Wednesdays – Big Boi feat A$AP Rocky and Phantogram – “Lines”

19 Wednesday Dec 2012

Posted by bluelineswork in Hip-Hop Quotable Wednesdays

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2012, A$AP Rocky, actor, Antwan André Patton, Antwan Patton, Atlanta, Big Boi, Billy Ocean, Blue Lines, Blue Lines Blog, Chief, Chris Carmouche, Daddy Fat Sax, December, Def Jam, Def Jam Recordings, Dungeon Family, East Point, Francis the Savannah Chitlin' Pimp, G-funk, General Patton, Georgia, Hip-Hop, Hip-Hop Quotable, Hip-Hop Quotable Wednesdays, Hot Tub Tony, Jesus, Josh Carter, Key Yemaya Walker, keyboards, Lines, Manger, neo soul, Organized Noize, OutKast, Phantogram, Play Doh, Purple Ribbon, Purple Ribbon Records, R&B, Rakim Mayers, Rapper, Rapping, Raymond Murray, record producer, Rico Wade, Sarah Barthel, Savannah, Sgt. Slaughter, Sir Lucious L. Leftfoot, Sir Luscious Left Foot, song-writer, Soul, southern hip hop, Stankonia Recording, The Son of Chico Dusty, Tri-Cities High School, Vicious Lies And Dangerous Rumors

“Lines”
from Big Boi’s 2012 release Vicious Lies And Dangerous Rumors
Now that’s what I’m talking ’bout
Year of the ASAP Mob

[Verse 1: ASAP Rocky]
Lines – tell them read between it
Tripping while I’m slipping, busy fighting off these demons
Listen while I’m spitting boy, you probably won’t believe it
But life is so terrific, tell them pinch me if I’m dreaming
Revenue’s what I get get, your b—h is what I did hit
And I’m bout my business, them pesos what I did get
Made a hit, had a fix, they saying you’s the shiznit
Tell them get off my diznick, you bucketheaded b—-es
Crossing all the lines, time is only racing time
He flippin to the bars so I’m only raising mine
Depending on the grind is the only way to shine
So I’m feeling like that odds is the only state of mind
And it’s finna give me peace, life up in these streets
Equipped with a piece, case you n—s wanted beef
Cause man gave us laws and God gave us time
It’s the art of storytelling and I’m only telling mine
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New To You Music Sundays – Big Boi feat A$AP Rocky and Phantogram – “Lines”

18 Sunday Nov 2012

Posted by bluelineswork in New To You Music Sundays

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2012, A$AP Mob, A$AP Rocky, alternative hip hop, Andre 3000, Andre Patton, Antwan André Patton, Atlanta, Big Boi, Billy Ocean, Blue Lines, Blue Lines Blog, Chief, Daddy Fat Sax, Dungeon Family, East Point, Electronic rock, Francis the Savannah Chitlin' Pimp, General Patton, Georgia, Hip-Hop, Hip-Hop Music, Hot Tub Tony, Indie pop, Josh Carter, Key Yemaya Walker, keyboards, Lines, music, music video director, New To You Music Sundays, New York, New York City, OutKast, Phantogram, Rakim Mayers, Rapper, Rapping, Sarah Barthel, Saratoga Springs, Savannah, Sgt. Slaughter, Sir Lucious L. Leftfoot, southern hip hop, The Son of Chico Dusty, U.S., Underground hip hop, USA, Vicious Lies And Dangerous Rumors, West Savannah



The manuscript Blue Lines is the fictional coming of age narrative of a young California woman Key Yemaya Walker, and her 2 year growing journey through school, love, and life period piece, written by Kenneth Suffern, Jr., taking place at the University of North Carolina at Chapel Hill between the years of 1997 – 1998. Loosely based on true events, and experiences during that time, told through the eyes and voice of the main female protagonist, a freshman first attending the school.

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